Sunday, April 5, 2020

An Audient Dreams ...


An Audient Dreams

of Gathering Crowds

by Jamie Jobb

As our shelter-in-place enters a fourth week, we learn almost daily that another
city council, church, civic association, social club, chorus, hobby hut … it seems almost any group that gathers, has joined with thespians, musicians and other performing artists in seeking virtual venues to meet their obligation to audience members forced to remain home by order of state and/or local officials.

The brief report that follows is from Jill Bourque, mentioned in “The Digital Box Office” previously on these pages. Jill’s on-line audience streaming service, RushTix, has compiled the list and offers it to anyone evaluating the best way to round up an audience on line.

RushTix is a San Francisco Bay Area discovery and production platform where artists can easily sell tickets, livestream shows and build their own virtual audience, all with the intent of helping performers generate revenue. We must admire Jill for her objectivity in these times of crowd crisis: her company is one of eight platforms listed, although they did not include an evaluation of the Japanese platform, Zaiko, previously mentioned on these pages.  Here’s the RushTix press release:


Livestream Platforms Reviewed
With live in-person events on hold, performers who rely on live in-person performances to earn a living are switching to livestreaming. Here are eight livestreaming platforms reviewed with performing artists in mind.
    Facebook Live is an easy and popular way to do livestream video. Difficult to schedule a livestream unless you use third party streaming platforms
    - Pro: Large Audience
    -
    Con: Hard to Monetize

    Instagram makes it nearly impossible to search for livestreams which makes sense as it’s the ultimate influencer platform so fans are more likely to catch things spontaneously on IG.
    - Pro: Livestream Right From Your Phone
    - Con: Hard to Get the Word Out to Your Followers

    RushTix offers an end-to-end livestreaming platform allowing the artist to monetize their show and build a community. Performers can sell tickets, livestream with real-time chat and tip-jar, and build a community.
    - Pro: Easy to Monetize & Build a Community
    - Con: Currently Focused on Bay Area Artists

    Stageit offers easy, livestream video, the ability to sell tickets and collect tips during shows in their own currency called "notes." The interface is a bit complex and out-dated but an enjoyable experience overall.
    - Pro: Caters to Musicians
    - Con: Outdated Interface

    Twitch, a haven for gamers, livestreaming on Twitch requires the user to gear up with streaming software like Open Broadcaster Software. This solution is favored by geeky comedians and improvisors.
    - Pro: Highly Engaged Gaming Community
    - Con: Limited in Other Forms of Content

    Vimeo Livestream like its parent company, Vimeo, seems to be focused on the more arty side of entertainment with eclectic musical offerings.
    - Pro: Good for High-End Corporate Events
    - Con: Requires Technical Expertise to Create Livestreams

    YouTube Live - Probably the easiest platform to do livestreaming, but lacks the community of its rival Facebook.
    - Pro: Easy to Livestream
    - Con: Hard to monetize

    Zoom has become indispensable for business and also some inventive improv and theater companies.
    - Pro: Easy to livestream multi-person shows and experiences
    - Con: Requires viewers to add Zoom app

5 April, 2020


14 comments:

  1. Everybody's getting into the act! Then there's livestream radio to benefit Actors Without Audiences ... https://www.starsinthehouse.com/

    ReplyDelete
  2. Not thrilled to be called "present":
    https://www.nytimes.com/2020/04/06/us/coronavirus-schools-attendance-absent.html

    ReplyDelete
  3. Charlie Varon just announced "Ignore the Obvious Path", a Zoom class for writers at the Marsh. Sliding scale ($25-to-$125). Meets on line, starting April 13, 2020 for four consecutive Mondays. I've taken over a half dozen different classes with Charlie and each one was a life-altering experience. Info and sign up: charlie@charlievaron.com

    ReplyDelete
  4. AND this very important link from Playbill (posted April 7):
    https://www.playbill.com/article/how-to-support-a-theatre-company-and-stream-a-show-while-social-distancing

    ReplyDelete
  5. from the Playbill post:
    Through April 12: 1984
    Alley Theatre (Houston, Texas)
    If you are emotionally equipped to handle a dystopian drama right now, the Alley Theatre has you covered. Its production of the Michael Gene Sullivan adaptation is available to stream to affected ticket holders via password-protected link, and video-only tickets are available for $20.

    Through April 12: They Promised Her the Moon
    TheatreWorks Silicon Valley (Palo Alto, California)
    Though all remaining performances of Laurel Ollstein’s play had been canceled, the regional theatre has created a streaming version, on sale at a pay-what-you-can rate. Those who pre-purchased tickets will receive a link, and the performance will be available through to watch through April 12.

    Through April 19: Kill Move Paradise
    TimeLine Theatre Company (Chicago, Illinois)
    Though the Chicago premiere of the James Ijames play had to cut its run short due to mass gathering restrictions, TimeLine has arranged for a limited number of streaming tickets. The remote view option is priced at $25 through April 19; patrons will receive a password-protected link "at curtain time" for one-time viewing within the following week. Only 99 tickets are available for each stream.

    Through April 19: Teenage Dick
    Theatre Wit (Chicago, Illinois)
    The remaining performances of Mike Lew’s Shakespeare sendup will now presented as one-time-only streams of a previously filmed performance. Only 98 streaming links will be available for each stream time, which aligns with the theatre’s intended performance schedule. A live, post-show discussion will also take place after each stream over video conference.

    Through April 21: A Doll's House, Part 2
    Florida Repertory Theatre (Fort Myers, Florida)
    The Lucas Hnath comedy, like the aforementioned Every Brilliant Thing, is available to stream for $39.

    Through April 24: Fleabag
    Soho Theatre/Wyndham's Theatre (London, U.K.)
    The filmed presentation of Phoebe Waller-Bridge's solo show, which inspired her Emmy-winning Amazon comedy, will be available in the U.S. (on Amazon Prime beginning April 10) and the U.K. and Ireland (now on Soho Theatre's on-demand platform, available there in Australia, New Zealand, and Canada April 10) for four pounds (just under five dollars). Proceeds will go toward the Fleabag Support Fund, which supports U.K. theatre industry members impacted by the coronavirus shutdowns, as well as the U.K.'s National Emergencies Trust, NHS Charities Together, and Acting for Others, plus U.S.-based charities to be announced. Once purchased, the stream will be available for 48 hours.

    Through April 26: School Girls; Or, The African Mean Girls Play
    The Goodman Theatre (Chicago, Illinois)
    The regional theatre has put their production of Jocelyn Bioh's play online, free to ticket holders for canceled performances and available to the public at a pay-what-you-can rate starting at $15.

    April 17–26: we broke up.
    Single Carrot Theatre (Baltimore, Maryland)
    Single Carrot has teamed up with local playwright DJ Hills to create the experiential digital performance, after having to postpone its production of Bulgaria! Revolt!. The live-streamed webcast will launch in mid-April.

    Through June 2: The Habit of Art and The Croft
    Original Theatre Company (U.K.)
    As previously announced, Alan Bennett's The Habit of Art—as well as Ali Milles' The Croft—have been made available to stream online after cutting their U.K. tours short. They will be accessible for a suggested donation until June 2.

    ReplyDelete
  6. Broadway Theaters Extend Shutdown as Coronavirus Outbreak Looms Over New York -- Shows were initially slated to close through April 12; they’re now hoping to resume in June.
    https://www.playbill.com/article/broadway-theatres-extend-shutdown-as-coronavirus-outbreak-looms-over-new-york-city

    ReplyDelete
  7. And, The Marsh has just announced its YouTube streaming:
    https://themarsh.org/marshstream/

    ReplyDelete
  8. Meanwhile, back at the ranch:
    https://www.palmerreport.com/analysis/katie-porter-goes-for-the-jugular/27582/

    ReplyDelete
  9. And then there is this effort by playwrights looking for DIY productions!?!
    https://www.playathome.org/who-are-we

    ReplyDelete
  10. Here's a Minnesota theater reaching out across the planet:
    http://www.theatreb.org/

    ReplyDelete
  11. Charlie Jarrett reports that CalShakes has a good range of on-line offerings. See:
    https://martinezgazette.com/entertainment-via-computers/

    ReplyDelete
  12. This news from London's esteemed Royal Court Theatre:
    https://royalcourttheatre.com/what-else/participation/court-at-home/?dm_i=1P0Z,6UG91,RJY3JJ,RG2XB,1

    ReplyDelete
  13. Now you can do EVERYTHING virtually, including being a star:
    https://www.playbill.com/article/are-you-the-next-broadway-star?

    ReplyDelete
  14. Indeed, everything MGM had is right here in the house ... this clever one-minute comment from Eric Floberg, YouTuber:
    https://youtu.be/x1HIkBEi9uY

    ReplyDelete