An
Audient Dreams
of
Gathering Crowds
by
Jamie Jobb
As
our shelter-in-place enters a fourth week, we learn almost daily that
another
city
council, church, civic association, social club, chorus, hobby hut …
it seems almost any group that gathers, has joined with thespians,
musicians and other performing artists in seeking virtual venues to
meet their obligation to audience members forced to remain home by
order
of state and/or local officials.
The
brief report that follows is from Jill Bourque, mentioned in “The
Digital Box Office” previously on these pages. Jill’s on-line
audience streaming service, RushTix, has compiled the list and offers
it to anyone evaluating the best way to round up an audience on line.
RushTix
is a San Francisco Bay Area discovery and production platform
where artists can easily sell tickets, livestream shows and build
their own virtual audience, all with the intent of helping performers
generate revenue.
We
must admire Jill for her objectivity in these times of crowd crisis:
her company is one of eight platforms listed, although they did not
include an evaluation of the Japanese platform, Zaiko, previously
mentioned on these pages. Here’s
the RushTix press release:
Livestream
Platforms Reviewed
With
live in-person events on hold, performers who rely on live in-person
performances to earn a living are switching to livestreaming. Here
are eight livestreaming platforms reviewed with performing artists in
mind.
Facebook
Live
is an easy and popular way to do livestream video. Difficult to
schedule a livestream unless you use third party streaming
platforms
- Pro: Large Audience
- Con: Hard to Monetize
- Pro: Large Audience
- Con: Hard to Monetize
Instagram
makes it nearly impossible to search for livestreams which makes
sense as it’s the ultimate influencer platform so fans are more
likely to catch things spontaneously on IG.
- Pro: Livestream Right From Your Phone
- Con: Hard to Get the Word Out to Your Followers
- Pro: Livestream Right From Your Phone
- Con: Hard to Get the Word Out to Your Followers
RushTix
offers an end-to-end livestreaming platform allowing the artist to
monetize their show and build a community. Performers can sell
tickets, livestream with real-time chat and tip-jar, and build a
community.
- Pro: Easy to Monetize & Build a Community
- Con: Currently Focused on Bay Area Artists
- Pro: Easy to Monetize & Build a Community
- Con: Currently Focused on Bay Area Artists
Stageit
offers easy, livestream video, the ability to sell tickets and
collect tips during shows in their own currency called "notes."
The interface is a bit complex and out-dated but an enjoyable
experience overall.
- Pro: Caters to Musicians
- Con: Outdated Interface
- Pro: Caters to Musicians
- Con: Outdated Interface
Twitch,
a haven for gamers, livestreaming on Twitch requires the user to
gear up with streaming software like Open Broadcaster Software. This
solution is favored by geeky comedians and improvisors.
- Pro: Highly Engaged Gaming Community
- Con: Limited in Other Forms of Content
- Pro: Highly Engaged Gaming Community
- Con: Limited in Other Forms of Content
Vimeo
Livestream
like its parent company, Vimeo, seems to be focused on the more arty
side of entertainment with eclectic musical offerings.
- Pro: Good for High-End Corporate Events
- Con: Requires Technical Expertise to Create Livestreams
- Pro: Good for High-End Corporate Events
- Con: Requires Technical Expertise to Create Livestreams
YouTube
Live -
Probably the easiest platform to do livestreaming, but lacks the
community of its rival Facebook.
- Pro: Easy to Livestream
- Con: Hard to monetize
- Pro: Easy to Livestream
- Con: Hard to monetize
Zoom
has become indispensable for business and also some inventive improv
and theater companies.
- Pro: Easy to livestream multi-person shows and experiences
- Con: Requires viewers to add Zoom app
- Pro: Easy to livestream multi-person shows and experiences
- Con: Requires viewers to add Zoom app
5
April, 2020
Everybody's getting into the act! Then there's livestream radio to benefit Actors Without Audiences ... https://www.starsinthehouse.com/
ReplyDeleteNot thrilled to be called "present":
ReplyDeletehttps://www.nytimes.com/2020/04/06/us/coronavirus-schools-attendance-absent.html
Charlie Varon just announced "Ignore the Obvious Path", a Zoom class for writers at the Marsh. Sliding scale ($25-to-$125). Meets on line, starting April 13, 2020 for four consecutive Mondays. I've taken over a half dozen different classes with Charlie and each one was a life-altering experience. Info and sign up: charlie@charlievaron.com
ReplyDeleteAND this very important link from Playbill (posted April 7):
ReplyDeletehttps://www.playbill.com/article/how-to-support-a-theatre-company-and-stream-a-show-while-social-distancing
from the Playbill post:
ReplyDeleteThrough April 12: 1984
Alley Theatre (Houston, Texas)
If you are emotionally equipped to handle a dystopian drama right now, the Alley Theatre has you covered. Its production of the Michael Gene Sullivan adaptation is available to stream to affected ticket holders via password-protected link, and video-only tickets are available for $20.
Through April 12: They Promised Her the Moon
TheatreWorks Silicon Valley (Palo Alto, California)
Though all remaining performances of Laurel Ollstein’s play had been canceled, the regional theatre has created a streaming version, on sale at a pay-what-you-can rate. Those who pre-purchased tickets will receive a link, and the performance will be available through to watch through April 12.
Through April 19: Kill Move Paradise
TimeLine Theatre Company (Chicago, Illinois)
Though the Chicago premiere of the James Ijames play had to cut its run short due to mass gathering restrictions, TimeLine has arranged for a limited number of streaming tickets. The remote view option is priced at $25 through April 19; patrons will receive a password-protected link "at curtain time" for one-time viewing within the following week. Only 99 tickets are available for each stream.
Through April 19: Teenage Dick
Theatre Wit (Chicago, Illinois)
The remaining performances of Mike Lew’s Shakespeare sendup will now presented as one-time-only streams of a previously filmed performance. Only 98 streaming links will be available for each stream time, which aligns with the theatre’s intended performance schedule. A live, post-show discussion will also take place after each stream over video conference.
Through April 21: A Doll's House, Part 2
Florida Repertory Theatre (Fort Myers, Florida)
The Lucas Hnath comedy, like the aforementioned Every Brilliant Thing, is available to stream for $39.
Through April 24: Fleabag
Soho Theatre/Wyndham's Theatre (London, U.K.)
The filmed presentation of Phoebe Waller-Bridge's solo show, which inspired her Emmy-winning Amazon comedy, will be available in the U.S. (on Amazon Prime beginning April 10) and the U.K. and Ireland (now on Soho Theatre's on-demand platform, available there in Australia, New Zealand, and Canada April 10) for four pounds (just under five dollars). Proceeds will go toward the Fleabag Support Fund, which supports U.K. theatre industry members impacted by the coronavirus shutdowns, as well as the U.K.'s National Emergencies Trust, NHS Charities Together, and Acting for Others, plus U.S.-based charities to be announced. Once purchased, the stream will be available for 48 hours.
Through April 26: School Girls; Or, The African Mean Girls Play
The Goodman Theatre (Chicago, Illinois)
The regional theatre has put their production of Jocelyn Bioh's play online, free to ticket holders for canceled performances and available to the public at a pay-what-you-can rate starting at $15.
April 17–26: we broke up.
Single Carrot Theatre (Baltimore, Maryland)
Single Carrot has teamed up with local playwright DJ Hills to create the experiential digital performance, after having to postpone its production of Bulgaria! Revolt!. The live-streamed webcast will launch in mid-April.
Through June 2: The Habit of Art and The Croft
Original Theatre Company (U.K.)
As previously announced, Alan Bennett's The Habit of Art—as well as Ali Milles' The Croft—have been made available to stream online after cutting their U.K. tours short. They will be accessible for a suggested donation until June 2.
Broadway Theaters Extend Shutdown as Coronavirus Outbreak Looms Over New York -- Shows were initially slated to close through April 12; they’re now hoping to resume in June.
ReplyDeletehttps://www.playbill.com/article/broadway-theatres-extend-shutdown-as-coronavirus-outbreak-looms-over-new-york-city
And, The Marsh has just announced its YouTube streaming:
ReplyDeletehttps://themarsh.org/marshstream/
Meanwhile, back at the ranch:
ReplyDeletehttps://www.palmerreport.com/analysis/katie-porter-goes-for-the-jugular/27582/
And then there is this effort by playwrights looking for DIY productions!?!
ReplyDeletehttps://www.playathome.org/who-are-we
Here's a Minnesota theater reaching out across the planet:
ReplyDeletehttp://www.theatreb.org/
Charlie Jarrett reports that CalShakes has a good range of on-line offerings. See:
ReplyDeletehttps://martinezgazette.com/entertainment-via-computers/
This news from London's esteemed Royal Court Theatre:
ReplyDeletehttps://royalcourttheatre.com/what-else/participation/court-at-home/?dm_i=1P0Z,6UG91,RJY3JJ,RG2XB,1
Now you can do EVERYTHING virtually, including being a star:
ReplyDeletehttps://www.playbill.com/article/are-you-the-next-broadway-star?
Indeed, everything MGM had is right here in the house ... this clever one-minute comment from Eric Floberg, YouTuber:
ReplyDeletehttps://youtu.be/x1HIkBEi9uY