Wednesday, June 9, 2021

My Staged House or Broken Homemakers of Strawberry Point

"A doctor can bury his mistakes, but
an architect can only advise his clients to plant vines."
-- Frank Lloyd Wright


My Staged House

or

Broken Homemakers of Strawberry Point


a summary judgment in one act

by Jamie Jobb



All characters, properties, agents, petitions, neighborhoods, 
judicial officials and independent subcontractors
portrayed in this play are fictional fabrications.

No identification with actual courthouses, 
bedroom communities, business entities or sentient 
beings – alive or deceased – should be inferred
as none was intended.


CHARACTERS

(Short bios at End of Play)


Glen Madrone, aka “Buck”, caucasian male, 53.

Rose Spencer, African-American female, 33.

Hon. Miller Throckmortion II, aka “Throck” and “Junior”, caucasian male62.

Ross Kentfield, aka “Rock”, African-American male40.

FranceDrake, aka Bee”, hispanic female39.

Caledonia Bridgeway, African-American female36.


Voice of Siri and Airport Announcer – heard on AUDIO tracks. 
silent bartender may be used in the NName scenes.


SETTINGS


Red Woodson Homes, Mill Valley – up left
No Name Bar, Sausalito – up right
The Car, Highway 101 – down center
The House, Strawberry Point – down right
Court Chambers, San Rafael – down left
Airport, San Francisco – mid center


Apologies: Bradley Ogden, Captain William Richardson, Samuel P. Throckmorton, Ann Brebner, The Dali Lama, Garrison Keillor, Douglas Adams, Pat Boone, Lenny Bruce, Tennessee Williams, Bo Jackson, Janis Joplin, Grace Slick, Bob Dylan, Joan Baez and Theodor Seuss Geisel. 


(c) 2021 by Jamie Jobb




Scene One

RED WOODSON HOMES, Mill Valley.  Early afternoon.


AUDIO: Muted George Winston muzak. Distant doors, phones, voices.
PROJECTION: Redwoods visible through wrap-around office windows.


ROSE at table with Binder and Camera.
BUCK on office Phone.

BUCK (hangs up):  They left a key in the lockbox.

ROSE (holds up camera):  I’m ready.  (blurts) My first client! 

BUCK: You know, this was Red’s very first listing. Strawberry Point

ROSE: Can’t wait to see that fabled view!

BUCK (most proud):  Twenty Twenty Century Drive!

ROSE: Didn’t Red live on The Point too?

BUCK: Yes, indeed.  He was their next-door-neighbor. (beat)  As well as my mentor.

ROSE (reads binder):  He doesn’t seem all that popular.

BUCK: Red Woodson?!?  He was very popular –  Tam High, Cal Bears!

ROSE: No, no.  Red’s neighbor!  (holds up news clip)  This IJ editorial – quote

Judge Won’t Be Missed” unquote.

BUCK: They’re glad to get rid of himthat’s for damn sure!

ROSE: The Court … or the neighborhood?

BUCK: He’s Marin County Superior Court’most disruptive judge.  But half thill 

repute stems from his Dad’s bad deeds, not his own.  The Independent Journal, the neighbors – they don’t know Junior at all.  He’s a real recluse. He just gives The Court calendar grief, as Presiding Judge. But Junior’s Dad was a vindictive judicial tyrant.  Despised by neighborsthe press and the Court.  Not to mention the great State of California.

ROSE: Old Man must’ve done something awful – the judge turned crook!?!

BUCK: Convicted felon: Tax fraud. Embezzlement.  Bribery.  Perjury! The whole

judicial docket.  But none of his crimes tainted Junior, who’already been elected to the bench by then.  This was the late Eighties.  Junior’s nose was clean, and stayed clean

ROSE: Where was His Honor ... his Father ... eventually incarcerated?

BUCK: Never wento prison.

ROSE: He begged a pardon?

BUCK: Sentenced to Life, without parole!  (beat) He took the only way out he knew.

Rose doesn’t comprehend, shrugs.

Pause.

Two fingers of Buck’s right hand “walk the plank” of his left hand.
Two fingers “fall”.

Beat.

BUCK: … The Bridge. 

Pause.

ROSE (gets it now): So that … was his Final Judgment.  In a manner of speaking.

BUCK: Thanksgiving.  Stood up his family at the dinner table.  They spent all night in 

Marin General. Someone on The Bridge saw him leap over the rail.  Called the CHP.  They rescued the body before he died, there on a gurney in the ER.  His family never ate that turkey dinner.  And they never forgave him, wasting great food like that.  Catered by Bradley Ogden, no less – when he was a rising chef. Before Lark Creek. (beat)  Later rumors surfaced that the Old Judge had been actively involved in shenanigans with a showgirl in North Beach the night before.  And maybe the night before that.

Pause.

ROSE: Like grandpa used to say: “Here come da Judge!”

BUCK: Dere GO da Judge.” Anyway, Junior needs to sell ... and pretty quick.

Governor Brown appointed him to the state appeals court in the City.  He bought intoMillennium Tower. 

ROSE (beat): Idiot!

BUCK: Moving into a sinking building! 

ROSE: From the best views in the world here … into a city high-rise surrounded 

by more high-rises, all built on bay mud. 

BUCK: I never thought he was that stupid!

ROSE (reads binder):  The Honorable Miller Throckmorton, the Second.

BUCK: Family home.  Grew up there … on Strawberry Point.  His Honor comes from 

Marin’s founding family. His great great grandfather owned the sawmill that turned 19thCentury redwoods into 20th Century luxury livingMoving won’t be easy for Junior(beat) Or his so-called “roommate”.

ROSE (confused, scans binder):  Nobody else’s listed on title.

BUCK: Kept in the closet.  All these years.

ROSE (beat):  Oh?

BUCK: Very very ... hush hush. 

ROSE (intrigued): So he’s not yet … “out”?

BUCK: No, never! No way! A judge?!?  Not even in “progressive” Marin. Plus, 

his “roommate” is somewhat famous on his own two feet. That’s why we got their exclusive pocket listing to provide them with your confidential staging services. Sworn-to-secrecy, and priced to sell! 

Pause.

ROSE: Who’s this … “roommate”?

BUCK: Check the Family Trust docs. (she does) He’s listed there as the 

Fiduciary. “Ross” somebody ...

Rose reads. 

Pause.

ROSE (finds it):  Here … Ross Kentfield.”

BUCK: Grew up back East.  Syracuse.

ROSE (aside):  Have I not heard of him?

BUCK: Also known as “The Rock”.

ROSE (suddenly dawns on her):  He played for the Raiders?!?

BUCK: Yes. 

ROSE: The Rock was a Beast.  My Dad called him “The New Juice”! 

BUCK: The Rock” plays several roles for Judge Throck. 

ROSE: Such as?

BUCK: Bailiff.

ROSE: Hum ... right-hand-man Friday.

Pause.

BUCK: And chauffeur.

ROSE: Naturally … One hand on the docket, other hand on the wheel.

BUCK: Plus executor of His Honor’s last will and testament. 

ROSE: Hat trick!

BUCK: The Judge has no heirs.

ROSE: Indeed!

BUCK: And don’t forget The Rock’wide-ranging fiduciary duties for the various

Throckmorton Family Trusts.  And charities. 

ROSE: Goes with the territory. 

BUCK: Some “territory” – Prime Strawberry Point full-acre parcel.  Thirty-seven

hundred square feet with Century Drive views right out Richardson Bay, all the way to downtown San Francisco!  That famous skyline framed by Angel Island and Sausalito’sailboats – What a picture, a masterpiece!  Original fountains, pools, decks and landscape of California exotic native plants.  Main house on two floors with bay views.  Five beds, four baths, two kitchens – all with views. Delft tile on kitchen, bath and fireplaces.  Gated driveway, with separate service entrance.  Two-story guest house with bay viewsStand-alone three-car garage … with crows-nest of bay views.  Vineyard easements. Really, all we have to do to sell this one is just walk them through. Stand there. And smile.

ROSE: In this market, at that location – he can name his price!

BUCK: Awe used to say – Strawberry Fields Forever, baby”.

Pause.

ROSE: Are you certain his Dad’s … crimes won’t affect our sale? 

BUCK: Yes, nobody remembers Old Judge Throck.  Like the Beatles, that old history

is water under The Bridge.  None of his neighbors live there now. It’s been thirty years since he jumped.

ROSE: So, it’s all up to me. I’ve gotta make that house rise-and-shine!

BUCK: Really,  you’ll see … it’s an absolute dump for that location. He hasn’t 

changed one thing since his folks moved in(beat) Original tenant.  Original floor plan. Original colors. Original dust ...

ROSE: Original furniture?

BUCK: Antiques, unquote!  Old as Nepal, where they all originated. His Mom

made three special trips.  With her advisors, Marin society gals. Two of them got very ill after that last trip.

ROSE: Yikes!  High-altitude, antique dust mites – half-way round the world!

BUCK: Who owns “antiques” these days?


SPOT ON

Buck freezes in place; 

Rose moves downstage for quick monologue.

ROSE (suddenly misquoting Dr. Seuss): 

In these blue-pastured mountains of Folla-la-Zee 
everybody feels fine at two-hundred-and-three 
cause the air that we breathe is monoxide-free 
and we chew raw nuts from the Have-a-Nut Tree. 
They give strength to our teeth, add length to our hair. 
So we live without doctors, and nary a scare.” 
– Dr. Seuss, unquote

SPOT OFF


Buck and Rose return to conversation. 

ROSE: So, my task is quite clear. After his mother’s antiques are removed

I must stage this house well enough to charm the pants off … 
(Seuss voice:) WHOoooooo?

BUCK: Both of ‘em! 

ROSE: The Judge and The Jock – tick-tock, tick-tock!

BUCK: In no particular order?

ROSE: One leg at a time – knick-knock, knick-knock.

LIGHTS



Scene Two


COURT CHAMBERS, San Rafael. Another afternoon.


AUDIO: Distant hallway echoes, heavy doors, faint voices.

PROJECTION: Wall frames with cross-stitched motto: Nothing Beats Family”.


Bailiff ROSS KENTFIELD attends to Judge MILLER THROCKMORTION, II 

who sits with papers at desk.


THROCK: TWO-thirty?!?

ROCK: That’s what she said.  They call it their two-thirty “curtain” unquote

THROCK: What about plaintiff’s two-fifteen motions? Mr. Jeffries is quite upset. 

ROCK: Clerk reset your calendar herselfBoth parties filed wrong forms, again

THROCK: So the Court has set me free for your “exclusively staged” real-estate sale?

ROCK: Your Honor’s entire afternoon, duty free.

Pause.

THROCK: Let’s wait – I don’t want them to believe I’m impatient

They can sit a bit – build up dramatic tension for her “curtain call”.

ROCK: I don’t think that’s what they call it.  The proper term is “staged house”. 

(beat) There’s no need to trouble over nomenclature, Your HonorAfter all, 
you’re the Seller!  She’s the Stager. (beat) She’s quite young!

Pause.

THROCK: Where has Buck detained The Buyers – The No Name or The Loose Noose?

ROCK: No Name.

THROCK: Of course, Buck helped Ilse buy the place.

Pause.

Throck attends to paperwork on desk.

Pause.

ROCK: Sir, respectfully. They’re professionals, on their own clock. They’re not

counsel, subject to quirks of your Court calendarThey’re working folk.

Pause.

Throck turns a page.

THROCK: True, but  (beat) I rule we linger – It won’t hurt anybody.  It might 

even help if The Buyers have a little time to get tipsy. (pause)  Buck says these girls just love to drink.

ROCK (bends to smile, close up):  You won’t cite any … body for contempt?!?

THROCK (beat):  Not until the sun goes down – and the real parties start

Pause.

Throck remains seated.

THROCK: So what do we know about this real-estate … ah … (can’t recall word) 

ROCK: Stager”.

THROCK: Stager” – like a stage you stand on, right?

ROCK: Yes.  Obviously, not a stage coach with wheels. That would be a 

mobile home!  
 
Rock chuckles
Throck cracks his knuckles as he stands up.

THROCK (teases):  What does she think this is – The Pony Express?!?

A sudden goofball, Throck hops around like a hobby-horse.

ROCK (embarrassed):  Your Honor!?!

THROCK (awkward):  Sorry … (hops stop) … I thought we were off calendar.

Throck returns to desk.

Pause.

ROCK: Why have you not heard about home-stagers in real estate?

THROCK (embarrassed):  You know I’m no tax specialist!

ROCK: Tax has nothing to do with it. She’ll rearrange the homso it sells quickly. 

Pause.

THROCK: What do you mean … “rearrange”?

ROCK: Redecorate! New drapes. New furniture. 

Pause.

THROCK (chews the word): … “Refurnish”?

ROCK: Yes. Clean it up.  Light it like a stage setting. Especially for the Bay 

views ... for the most dramatic effect, as they say.

THROCK: What’s wrong with what we’ve got?  Mother took great pains to gather 

her “antiques”. She did her research, took tips from Ann Brebner and the Dali Lama!  Theywrote her up in Sunset, The Pacific Sun.

Rock steps back.

ROCK: Home-staging will boost the final offer well above any costincurred

for the staging – including furniture, artwork and prop rentals.  Buck found a very talented, trusted woman to stage it.  He’s known her family since high school. I’ve met her, and she’s sworn to your non-disclosure agreements.

THROCK: So, you’re saying we can’t afford –  NOT to afford this “stage house” (sic).

Pause.

ROCK: In a manner of speaking, yes.  We cannot-NOT afford to do it!

THROCK: I better like her rearrangements!

ROCK: The Buyers are gonna change it all anyway, once they move in with their 

own furnishings ...

Long pause.

ROCK: Are you sure you really want to move out?

THROCK: Don’t make me change my mind – again.

ROCK (checks phone):  We have to go … I’ll text them to say we’re running late.

LIGHTS



Scene Three


THE CAR, Highway 101. Same afternoon


AUDIO: Highway 101 rumbles.

PROJECTION: Freeway traffic follows behind.


ROSE in front seat with BUCK driving. 


ROSE (scans phone):  The Sellers are running lateCalendar clerk and docket

snafu. I know The Buyers don’t have much time today, or tomorrow

BUCK (rattled):  Of course, their new baby!  They can’t be late!  If only we could

cite our tardy Judge for Contempt of Real Estate!  (beat) I wanna fly back to Nepal, where people don’t fret the time of day all the time … And nobody “judges” anybody!

ROSE (still in phone):  Buck, The Buyers are already at The No Name!

BUCK: How long’ve they been there?

ROSE: Ten minutes.

BUCK: Did they sound annoyed, (beat) or just tipsy?

ROSE: Hard to tell.  They’re an odd couple.  (scans phone) They left us

strange text message -- (reads) “S-F-L-R … 2-F-4-U … C-Y-S” 

BUCK: Some message.

ROSE: Siri will translate …

Rose holds out Phone for Buck to hear.

VOICE OF SIRI (speakerphone): 

… Sorry for Late Reply. 
... Too Fast For You. 
… Check Your Settings.


Rose and Buck regard each other quizzically.
Pause.
They shrug. 

BUCK: Text them back, say we got hung up in Mill Valley. We’ll be there in 

fifteen … I aim to meet His Honor in the driveway, right before they get home. I want him to lead us through that front door himself. And when he does, nobody should say a word! It should be all shock-and-awe for him, your stage picture. (beat)  He’s never seen his place like that before. But, remember: let him do all the talking. Let him ask the questions, answer them, and talk himself into this sale. I’ll handle any stray comments. Stay as silent as you can. 

LIGHTS



Scene Four

NO NAME BAR, Sausalito. Same afternoon.


AUDIO: Thelonious Monk plays Ellington.
PROJECTION: A mirrored bar with shelved bottles.


FRANCES “BEE” DRAKE and CALEDONIA BRIDGEWAY sit and sip. 
Caledonia holds Clipboard with Petition.

BEE: Shut up! … NO-body???

CALEDONIA: Not one single signature … (sings) All-the-live-long-day!

BEE: Sausalito California!  What’s happened to you!?!

CALEDONIA: Jerks! Marin’s full of lily-livered latte lovers living hand-to-mouth

Look! (shows petition) … Empty petition! Lets move to Napa and just live from sauce-to-sauce. (beat) Live sober … like a judge!

BEE (perfect Spanish):  Ay, Dios mio!

CALEDONIA (sings, false-basso):  Nobody knows the trouble I’ve seen. 

Nobody knows but … Jesus!

BEE (aside):  The World wasn’t ready for your sweet deep-fried bagels, either 


Caledonia puts down clipboard. 
She takes a slow sip of her drink.

Pause.

BEE: We need to at least LOOK at this one, Sweetie. It’s an exclusive sale! We’ve 

got first crack at it, so to speak.  Strawberry Point – nothing ever opens up on Strawberry Point!  You can’t beat that short commute.

CALEDONIA: don’t commute!  Remember: “The Streetcar Always Rings Twice”!

BEE: You know I commute three days a week, across The Bridge.  And Presidio 

Radio pays for your beloved petition, don’t you forget. (perfect Spanish:) Hablar Por Hablar” … (perfect English) Where would we be without my loyal HPR listener-sponsorsMy Five-Oh-One-C-Three non-profit tax-cover for youlucrative international royalties!

Pause.

CALEDONIA (sips):  Nobody knows Hispanic Public Radio like you know Hispanic 

Public Radio. (beat)  You’re my non-profit bi-lingual drinker with a grant-writing problem!  You might as well be the new Garrison Keillor – gone, forgotten and totally erased from yourarchive’s memory.  (beat) Sorry. 
Do I sound bitter?  Oh, I know, you’ve yet to start on MY archive!

Pause.


Bee bites her tongue.
Caledonia drops her glass with a noise that does not break it.

CALEDONIA (deep breath): We have no idea what your Judge’s house looks like! 

It’s all so damn hush-hush. What’s the big secret? … “Hi, I’m Caledonia and I’m a bilingual alcoholic. I live with a hot-shot Hispanic celebrity who’s also a bilingual alcoholic. But she saved the entire Prairie Home Companion archive after Minnesota Public Radio tried to destroy it. She’s a local Shero – give her credit for that. And give me credit for trying to save California’s larynx!”  (beat)  Bartender, another round all ‘round! (beat) Welcome to Alcoholics Unanimous, we gather here Thursdays!  (beat) All I need is a barbershop quartet! 

Pause. Caledonia takes a sip.

CALEDONIA (tries to sing four-part harmony, all by herself): 

We are family, 
I got all my sisters with me … 
We are fam- … ” 


Caledonia grabs her throat, 
bends over in pain.

CALEDONIA: Aaarrrgh! Mama!!! (beat) I keep telling myself ... stop it!

Pause.


Bee is rattled, 
checks phone. 
Caledonia returns upright, 
attends her drink as if nothing happened. 

Pause.

BEE: When’s your State submission deadline? 

CALEDONIA (sips):  Two weeks.

BEE: Two weeks! We’ll have to head back to Berkeley, or you won’t get 

your three hundred sixty-six thousand autographs!

CALEDONIA: You’d think an arts festival would draw ‘em out. Liberal Marin … 

Trust-Fund babes.  (beat) Sure we wanna live here?

BEE: Let’s at least SEE the house!

CALEDONIA: What for? We’re just gonna demolish and rebuild. 

BEE: Here’s what for (counts on fingers) – Fantastic City views! No commute! 

Original owner!  Great price!  Redwood construction!

Pause.

CALEDONIA (checks watch):  They’re late. Why didn’t they give us the 

address? We could meet ‘em all there.

BEE: No way. It’s an expedited sale-by-owner, but through his exclusive private 

agency – for secrecy's sake.  (beat) We’re the only ones who know about it.  Everybody’s a public figure – (perfect Spanish) un jefe o un honcho.

CALEDONIA: Another of your dramatic back-channel” productions?!?  Who’d 
you have to “persuade” this time ... Pat Boone?  (sings, Pat Boone voice): 
Arms have I, strong as the oak for this occasion. 
Lips have I, to kiss thee too, in friendly persuasion” … 

Pause.

BEE: Let’s just say we paid a hefty Finder’s Fee ... How do YOU know Pat Boone?

AUDIO: Bee’s phone rings. 

She answers it. 


BEE (on phone, perfect Spanish)Hola … y tu? …  Dónde está Jorge? … Eh? … 

Dile que necesito ese informe … Sabado noche!

Bee hangs up. 

Pause. Caledonia sips.

CALEDONIA: They’d better hurry … We absolutely cannot be late! That would

break Lola’s little heart.  Nobody to meet her at the terminal gate!  So 
close to her new home, yet so far from her first home.  An immigrant orphan stuck at SFO.

BEE: TSA will have her deported: our little Laotian daughter! (beat)  OK, iour

agents aren’t here in ten minutes, we leave ... To think you thought she was Latina when you first saw her adoption forms

CALEDONIA: Gotta get those reading glasses fixed!

BEE: At least we got to see her picture before we signed her paperwork.

CALEDONIA: So cute, unlike your Strawberry Point house … which we’ve yet 

to see.  Not even a Street View! (beat)  Where ARE they?

BEE: Sounds very legal on paper.  Built by a judge; occupied by the son of a judge.

CALEDONIA: This’s what happens when you start messin’ pleasure with politics! 

Like Mama always said: “Politics pollutes ... 

BEE: … and crime corrupts!”  Unquote.  I know. Ay, Dios!

Pause.

CALEDONIA: Not one single signature!  (beat)  Black Lives Matter, Dammit. 

So does Mama’s larynx, rest her soul. (sings) 
I once was lost but now I’m found. 
Was blind, but now I sing” (sic) 

Pause.

CALEDONIA: Just imagine, our new daughter has a voice we can shape! We’ll train 

her to sing properly, give her proper lessons from proper professionals ... then sign her up with the Department of Vocal Registration. (beat)  If I get my petition on the ballot, she’ll earnthe very first California Singing License!  That’s our goal: the first officially licensed California professional singer ever to step onto a stage in our great state!  The first state of the union to require it! Mama was a diva! She’ll be vindicated!

BEE: What if our new daughter is completely tone deaf?


Caledonia obviously has never thought about this.
She starts to say something, stops.
Long pause.

She turns, as if to leave.

BEE: I love you ... Your thoughts?

Pause.

Bee looks up to see BUCK and ROSE enter.

BEE: Oh!  This must be them – the agent and his stage manager.

CALEDONIA (aside):  Finally!


Buck and Rose each reach for handshakes as they approach.
All shake hands as introduced.

BUCK (hands his card):  Glen Madrone, Red Woodson HomesEverybody 

calls me “Buck”.

ROSE: Rose Spencer, how do you do?

BEE: Frances Drake … You know my voice from Hablar Por Hablar”!  My friends 

call me “Bee”

BUCK: Yes indeed – HPR, Happy Hour Radio!

CALEDONIA: You know my voice too.  I’m Caledonia Bridgeway.  EMI Records.

ROSE (impressed):  I have your first album – The Streetcar Always Rings Twice”.


Caledonia almost hops to a curtsy, 
holds out back of her hand. 
Rose blushes, as they grip fingertips.

Pause.

Buck checks phone.

BUCK: The Judge should be home soon, so we’ll head on over to Strawberry Point. 

Where’re you parked?

BEE: Across the street.


Caledonia steps toward door, stops. 
She holds out Pen and Petition.

CALEDONIA: Can I get your signatures first?

LIGHTS



Scene Five

THE HOUSE, Strawberry Point. Next evening, twilight.

AUDIO: Home ambiance – bare echo.


PROJECTION: Angel Island and Sausalito sailboats
with San Francisco framed between them in distance.
Walls once loaded with framed works, now empty but for
a cross-stitched motto: Nothing Beats Family”.

THROCK and ROCK box up for move.

His Honor puts down Box, stares out at the Bay.

THROCK (at window):  Did you like The Buyers, that … “odd couple”?

ROCK: Don’t be nasty, Sir.


Throck turns from window.
Starts to say something, stops himself.

Pause.

ROCK: They’re obviously old friends ... mates.

THROCK (blurts): “Queer” unquote.  (beat) I mean – that’s no judgment on our part

Throck turns back toward window.

Pause.

THROCK: We could not rule in that regard. Behind closed doors

ROCK: No, no … We understand our feelings.


Throck goes to window, looks out toward Bay.
Pause.

THROCK (at window):  I’ve lived here my whole life!

ROCK: I know.

THROCK (pointing):  Richardson Bay – That’s mbay!  Riley Richardson 

was my best friend!

ROCK: Yes, indeed.

THROCK (sniffs):  It’s not so … (can’t finish)

ROCK: … easy to leave Strawberry Point.

THROCK: That’s it. That’s it exactly. It’s not so easy to leave Strawberry Point … 

You always know what I need to say, my best man! (looks around) Actually it doesn’t look all that bad – her “staging”.  (beat) My strange house on stage!

ROCK: No, it’s nice … you’ve lived here your whole life. Now it’s a new stage.

THROCK (proud):  Indeed I have, sixty-two years. Now I’m an appellate Justice, 

appointed by Governor Brown!

ROCK: Not known for appointing caucasian men to the bench!

THROCK: After all I’ve been through. I couldn’t ask for any more than that. 

(ponders) I’ve lived here my whole life … in paradise!

ROCK: Outlived them all … Your Mom.  Your Dad. 

THROCK: The Bridge. 

Pause.

ROCK: Roger fled to South America with that so-called botanist, unquote. 

THROCK: She was certified looney birdby all rights.  Little brothers never learn

ROCK: And Linda married that Royal Mountie. We never see them at all.

THROCK: Who wants to visit a sister in Saskatchewan?

ROCK: For Christmas!?!  It’s cold enough here ... Saskatchewan!

Pause.

Throck looks up at framed cross-stitched slogan on wall.

THROCK (reads):  Nothing beats family” … 

ROCK (recites):  … “like a family that beats itself.” 

Pause.

THROCK: Glad to be rid of ‘em. 

ROCK: Amen.

THROCK: Always gave me grief.

ROCK: I know.  (beat) I saw it all the time.

THROCK: You can’t treat your own son like that! I took an oath of office!

ROCK: So did he.

THROCK: Where’d that get him?  Out of office – out of breath!

Pause.

ROCK: And now you’ve got the judicial appointment HE always wanted. 

THROCK: And to think I could now become a Feeder Judge!  Curry favors!

ROCK: It’s possible, after all it’s First Appellate – San Francisco!

Where we (exaggerating accent) … cully flavols! (sic)


They chuckle. 
Pause.

THROCK: I’ll earn back the family honor! Judicially speaking.

ROCK: You’ll be vindicated.

THROCK: There’s a lot of prestige in a First District seat.  A lot of influence:

Ruling. Deciding. Adjudicating!  (beat) Citizen’s lives hung in the balance.

Pause.

THROCK: Nothing beats family … 

ROCK: Except maybe Our Governor?

Pause.

THROCK: I’m not so sure we should sell. 

ROCK: To them … or at all?

THROCK: Both!

Pause.

ROCK: Let’s sleep on it, Your Honor.


LIGHTS



Scene Six

RED WOODSON HOMES, Mill Valley. Next morning.


AUDIO: Muted Dixieland muzak. Distant phones, doors, voices.

PROJECTION: Redwoods visible through wraparound office windows.


BUCK and ROSE at table with binder and pile of paper. Waiting for a call.

ROSE: So his scam didn’t work?

BUCK: Blew up in his face. Big time.  Unlike young Throckmorton, Red Woodson’s 

son was a jerk. I don’t know why the Judge trusted him with the last sawmill in West MarinHe could have just as easily entrusted it to his own son. Instead he “gifted” it to his neighbor! A bogus deal to hide cash from some other bogus deal!  He got the slammer. Red Junior is still in The Q

ROSE: San Quentin?

BUCK: His permanent residence. They should-a dropped him on The Rock.

But it was closed by then.

ROSE: Alcatraz? 

BUCK: You know your Bay Area prisons!

ROSE: To be a home-stager in Marin, you’ve got to know a little bit of everything. 

BUCK: could’ve ended up “staged” in San Quentin. 

ROSE: What do you mean?

BUCK: I mean … owe Judge Throck for getting me started on a righteous path, 

after I took that devil’s turn with my last DUI.  You don’t know drinking until you’ve tried to drive Panoramic Highway in the dark. I’m not sure what happened to this day. Just a strange thump on the road … Probably a deer … Judge Throck fixed my ticket.  (beat)  By the way, did the Judge call? Or his Mate?

ROSE: Not one word.  The landline’s been silent all morning.

Pause.

ROSE: I just read something, “The Unwanted Sound of Everything …We Want” –

about noise pollution!  The world’s such a noisy place!  That’s why I’m the only house-stager who works without sound effects or music – I need to stage pure silence ia property(corrects herself) … into The Home.  Sour Buyers can make a quiet but informed decision, without distractionLike your silent sales theory

BUCK: What’s to say?  It’s simple really, my whole theory in a nutshell: Let them

talk themselves into the sale with no sales-chat. Shut up, in other words.  The less said, the better, in my view. In the old days, all I hato do was mention Grace Slick or Janis Joplin. Simply say they’d quote “considered living” unquote in the property. Otherwise I give ‘em my Silent Treatment. Let them talk themselves into the sale.  That’s how I sold Bubbles and Winnie those side-by-side Sausalito mansions. 

SPOT ON

Buck disappears.

Rose moves forward for quick monologue.

ROSE (again misquoting Dr. Seuss): 

Unless someone like me 
cares a whole awful lot.
Nothing will get better, 
it simply will not.
With brains in my head.
And feet in my shoes.
I steer myself nowhere 
I very well choose.” 
– Dr. Seuss, unquote

SPOT OFF

NO NAME BAR, Sausalito. That afternoon. 


AUDIO: Muted Kozmic Blues like Janis Joplin’s “Maybe”.

PROJECTION: A mirrored bar with shelved bottles.


ROCK awaits ROSE who enters with Greeting Card 

which carries a very personal message. 

ROCK: Thanks for coming.

ROSE: This is most unusual, I must say. 

ROCK: Most unprecedented, yes

Pause.

ROSE: I’m not the listing agent, you know.

ROCK: Legally speaking. 

Pause.

ROSE: I didn’t expect such a passionate note.

Rose moves closer.

ROSE: So blunt.  (beat)  And hand-written too!?

Pause.

ROCK: I wrote that all by myself!

ROSE: For me – alone?

Rock nods,

ROCK: I take great pride … in my personal penmanship.

ROSE: It’s lovely, for a man’s free hand.

Pause.

ROCK: From my heart … to your heart.

ROSE: Poetry.  (beat)  Pure poetry. 

ROCK: “Unless someone like me cares a whole awful lot” … 

ROSE: How did you know I love Dr. Seuss?

She hugs him.

ROCK: “With brains in my head and feet in my shoes” … 

ROSE: My very own Dr. Seuss!


LIGHTS



Scene Seven


NO NAME BAR, Sausalito. Next day. 

AUDIO: Muted Patsy Cline country like “I Fall to Pieces” 

PROJECTION: A mirrored bar with shelved bottles.


Waiting are BEE and CALEDONIA. They leave stools and start to dance. 

CALEDONIA: So … the Judge called YOU?

BEE: Yes.

CALEDONIA: His Honor … Himself?!?

BEE: Yes.

CALEDONIA: Wanting both of us to come back … and see the place again?

BEE: Yes!  Without Buck Madrone and his “stager”. They get in the way, he said.

CALEDONIA: What else is there for us to see? He won’t sell. He made that

abundantly clear. 

BEE: He wants to talk about some special … “arrangement” unquote. 

CALEDONIA: What “special arrangement”!?! He knows we intend 

to knock the whole place down.  Right after they move out.

BEE (cool):  Yes, hunderstands you detest the floor plan.

CALEDONIA: You and your old growth redwood.  Stash windows, delk tile (sic)

BEE: Let’s hear him out … at least! (beat)  He’s a man of great influence.  He could 

be a grand asset to both of us. 

CALEDONIA: Why? 

BEE: It’s not easy for two sistas to find a powerful and sympathetic white 

man who can keep YOU out of trouble.

They stop dancing. 

CALEDONIA (sarcastic):  Hey!  I resent that false flattery, Yo Honn-a!

BEE: You know what I’m sayin’, Caledonia Bridgeway!

They step apart.

CALEDONIA: All right. All right(beat) All right! 

Pause.

BEE: You’ll go back to Century Drive?

CALEDONIA: Yes. 

BEE: One last time?

CALEDONIA: Yes. 

BEE: With an open mind?

CALEDONIA: Yes.

BEE: And an open heart?

CALEDONIA: You know me: “The Streetcar Always Rings Twice”. 

Again they dance and tug each other playfully.

BEE (perfect Spanish):  Con una mente abierta y un corazón abierto.

 

They fake a “cat-fight” … then 
slow their dance into a melting hug. 


LIGHTS



Scene Eight


THE HOUSE, Strawberry Point. Twilight, next evening.


AUDIO: Muted Erik Satie. Distant Richardson Bay wave action. 

PROJECTION: San Francisco in golden glow, framed between

Angel Island and Sausalito’s sailboats.  Family” motto still on wall.

ROCK and THROCK still packing Boxes.

THROCK (at window):  The City has that certain glow after rain.

ROCK: Indeed!  Our view never looked this good.  (beat) Winter Light.

Pause.

THROCK: You know I love Ingmar Bergman (abruptly) … There’s something 

marvelous about her idea.

ROCK (absently):  Who?

THROCK: Caledonia Bridgeway. The jazz singer with the plan for the California 

Singing License.  It’s not such a bad referendum, if you think it through.  You need a license to hunt, a license to fish. You need a license to get married. A license to drive. When you’re born you’re certified; when you die you’re certified. Why not a certified state license to sing on stage?

ROCK: Makes sense, when you put it that way.  (beat) The well-regulated life.

Pause.

THROCK: Are you aware her Mother died from a tragic karaoke accident? 

ROCK: No!

THROCK: She told me all about it.  Mama was addicted to karaoke. She couldn’t

stop singing. But she was improperly trained, so she had chronic laryngitis all the time, night after nightPlus she was a chain smoker, eventually destroyed her larynx over the years singing in hazy clubs.  Died in the ER after an evening of tragic techno-pop at The Loose Noose

ROCK: I didn’t know … (confused) … She’s a drinker?

Pause.

THROCK: Youre thinking about the younger one, Buck’s silent stager.  Aren’t you?

ROCK (embarrassed):  Oh yes, wrong her! … I’m thinking about Rose Spencer.

THROCK: I love what she did for the staging, don’t get me wrong!  I like her.

ROCK (with courage):  I like her too

THROCK: I like her – for you.  (beat)  That’s my personal judicial judgment.

Long pause.

ROCK: I don’t know what to say, Your Honor.

THROCK: How about: “Nothing beats family … 

ROCK (sheepish):  … like a family that beats itself.”

Pause.

THROCK: I think you know – I’m in love!  After all these years!

Pause.

ROCK (relieved):  Yes ... Me too.

Pause.

Throck stands framed in picture windows.

THROCK: “To possess something no one else can have” … Who said that? (beat) It’s a 

famous feminine quote. Lauren Becall, Grace Kelly. Somebody like that … one of the Hepburns? 

ROCK: THave and THave Not”?

THROCK (beat):  Anyway, I’ve finally fallen in love – at my age! 

Rock picks up a book of movie titles, absently. 

THROCK: And with the BOTH of them.  So perfectly paired

ROCK (not listening): “The Sun Also Rises” … Maybe?

THROCKSuch impressive, powerful women – setting out to make the world 

a better place, as parents

ROCK (still lost in his list): “Dark Passage?

THROCK: Adopting. Adapting!  Providing an heir, so I may pass on my legacy: 

ROCK: The Big Sleep?

THROCK: Lola Throckmorton!

Beat.

ROCK (suddenly present):  No! 

THROCK: I need the phone!

Rock and Throck awkwardly wrestle for control of landline.


Rock finally pulls back phone, 
holds it high above his head. 


Beat. 
Throck hugs him.


Rock is shocked!
Rock drops phone. 
Throck grabs it as it falls.


Rock jumps up as in a silent movie, waving arms.
He exits, running.


Throck dials phone.
Pause.

THROCK (into landline): “Caledonia! Caledonia! … What makes your big head 

so hard?” 


LIGHTS


AUDIO: Miles Davis “Elevator to the Gallows”.


Suddenly CALEDONIA enters seductively, 

in full-length evening gown.

THROCK (to himself): I must get that smartphone!

They hug and cuddle. 

BEE enters, to join them in the embrace.

LIGHTS



Scene Nine

THE CAR, Red Woodson parking lot. Next morning.

 

AUDIO: Muffled occasional street traffic.
PROJECTION: Red Woodson Homes with redwoods. 

ROSE in front seat with BUCK, who puts away his phone. 

BUCK (hangs up):  Idiot!

ROSE: His Honor!?!

BUCK: He refuses to sell!!! 

ROSE: What!?!

BUCK: Says he likes it too much … the way it looks now.

ROSE: What gives?  I thought he was your friend.

BUCK (snaps): YOU did this!

Rose is taken aback.

And hurt.

ROSE: Me!?!

BUCK: Yes – you! You STAGED it.  (beat)  To complete perfection. 

Pause.

ROSE: That’s my job!  (beat)  We knew it was an “abnormal transaction”!

BUCK: Silent staging!  No music. No draperies. No furniture. (angry) You kept 

eliminating elements” unquote. Until there was nothing there but views!

Pause.

ROSE: We talked about that!  I was inspired by your Silence in Sales!  How wa

I supposed to know the Judge would love my minimalist style? 

BUCK: You know any Judges!?! 

ROSE: What do you mean by that?

BUCK: They make Judgments all dayThey snap, those judgments!  So, they

want things simple.  Laid out for them to decide. Fairly!

ROSE: You HIRED me to do it, Buck.

Beat.

BUCK(still angry): Nobody’s above the goddamn law!

Pause.

ROSE (truly confused):  What are we supposed to do now?

BUCK: We have no sale. 

Rose looks at Buck.

Pause.

BUCK: Nobody’s getting paid!

Suddenly Rose leaps up.

ROSE: Maybe we can talk them into living together?

BUCK: What?!?

ROSE: The Judge … living there with both of them: Bee and Caledonia.  There’s 

plenty of room, even for the baby. She could have the guest house!

Pause.

BUCK: Fat Chance!  What about The Rock?

ROSE: What about him?

BUCK: I mean he’s ...

ROSE (blurts):  Rock’s leaving Throck! 

BUCK: How do you know that!?!

Pause.

ROSE: A woman … knows!

Pause.

BUCK: Still … we have no sale!  Real-estate has no value to us if there’s no sale!

ROSE (sits):  True. 

BUCK: He’s not selling!  No sale – no commission!

Pause.

ROSE: But we’ll get a commission if we bring Ms. Drake and Caledonia into 

the Trust. As Trustees! So Rock could pull back … or pull out entirely. 

BUCK (ponders):  You mean, His Honor can swap … room-mates!?! 

ROSE: I’d like that ...

BUCK: To form a More Perfect Union.

ROSE: … a lot!

BUCK: Form a More Perfect Triumvirate! Damn! Another life lesson from Romans!

History can’t repeat itself if no one recalls the history! Unquote. (beat) I’ll never escape the classroom! 

Pause. 

Buck turns to Rose.

BUCK: You don’t need to hear my personal pet peeves!

ROSE: Buck, I’m not ask/

BUCK (abrupt):  I’m through … That’s it! 

ROSE: What?

BUCK: To hell with real estate – I can’t escape history, so I’ll return to the source. 

And it won’t escape me this time … I’m off to Nepal!  (chants)  Oooommmmm…. 


LIGHTS



Scene Ten


AIRPORT, San Francisco. The following morning.  
AUDIO: Interior airport wildtrack. Muffled announcements.

PROJECTION: “The Nerve Rack – Coffee and Teas” 
ROCK and ROSE enter coffee shop.

ROSE: My real name is Samantha … Sam I am! But my first boyfriend was 

named Sam too, so I dropped the name. Mom read me “Green Eggs and Ham” all the time! Sam I was ... Rose I am!

ROCK: Rose and … Sam you am


SPOT ON

Rock freezes in place; 

Rose moves forward for quick monologue.

ROSE (again misquoting Dr. Seuss): 

We all live on a small speck of dust.
Lost in flecks of diamonds and rust.
Clover-by-clover, no one do we trust
to follow our lovers, to know what we must.
One vagabond fellow, one friend in need,
will pass your way, will you do the right deed?
Will you offer him food or something to read?
Will you settle his score and gallop his steed?
– Dr. Seuss, unquote

SPOT OFF

Rock and Rose return to conversation. 

ANNOUNCER: Virgin Air Flight 1270 to Puerto Vallarta now boarding, Gate 55.

Awkward pause.

ROCK: That’s our flight!

ROSE: You don’t mind  (unsure how to say it) ... “changing teams” in mid-life?

ROCK: Never been on a team! (beat) His Honor and I never got intimate – ithat’s 

what you mean. We just cuddled and read in bed(beat) I mean, we’ve never had sex!

ROSE: Never is a very long time … to not do something.

ROCK: I mean … I’VE never had sex.

ROSE (shocked):  You’re … a virgin?!?

Pause.

ROCK: Yes.

ROSE: How old are you?

ROCK: Forty-two. 

Pause.

ROSE: My, oh My! (to herself) Life, the Universe and Everything! (perfect Spanish) 

Ay, Dios mio.

ROCK: I never got married!  No girlfriends.  No boyfriends. (beat)  I’m too shy!

Pause.

ROSE: And ... the Judge?  He’s celibate too?

Rock nods. 

Pause.

Rose doesn’t know what to say.

ROCK: His Honor imy hero.  He helped me out of more than one very tight 

spot in my crazy life.  When his Mom died and the family left him, I know there was no choice: I had to stay with him.  But what can I do, now that he’s found someone else to cuddle at night? He’s an avid reader, loves books in bed.  They might not like that!

Pause.

ROSE: I’m reading something strange, “The Unwanted Sound of Everything We 

Want”. It talks about two things – the airplane and the car – that changed how the world sounds, forever. That’s why I say I’m a home-stager who works in a minimal way to create silence in the home … (beat) Life is a series of stages we all go through. Right?!  It helps to shut up ... and listen.

Rock is unsure what to say or do now.
Pause.
He nods and scratches his ear.

ROSE: Like Caledonia says: “The Streetcar Always Rings Twice”!


She takes command, kisses him. 
Full frontal.
Pause. 
Rock enjoys it. 

ROCK: Wonder what she meant by that … “WHAT Streetcar Always Rings Twice”?

ROSE: I think she meant … Everybody deserves a very first chance, the second 
time around. (beat) So to speak. 

Rose strokes Rock’s cheek. 

He truly enjoys it.

ROCK (purring): You mean … I’m finally cured!?!

ROSE: No. I’m cured, like ham I am ... You’re just getting started!

They kiss again, at length.

ROCK (pulls back, surprised): And to think all we had to do was change our mind!?!

They continue kissing.

ANNOUNCER: Last call for Virgin Flight 1270 to Puerto Vallarta boarding at Gate 55.

They continue kissing.

END of PLAY




PRODUCTION NOTE


My Staged House” is written for white-box production with minimal props:

binder with documents

clipboard with petition

book of movie titles

camera and cellphones

cardboard boxes

bar and barstools

table and landline

pair of chairs, and

perhaps a lamp. 





CHARACTER BIOS


GLEN MADRONE, aka “BUCK” - 53 – Ex Tam High-school history teacher, now-owner of Red Woodson Homes in Mill Valley. Espouses “silence-in-sales” real-estate theory. White, divorced. 


ROSE SPENCER – 33 – Former graphic artist and Buck’s favorite student, now transitioning into real-estate home staging. Former karaoke champion, loves Dr. Seuss, happens to be black. Single. 


HON. MILLER THROCKMORTION II, aka “THROCK” and “JUNIOR” – 62 – Marin Superior Court Presiding Judge awaiting installation as Justice to State Courts of Appeal in San Francisco. Leaving family home on Strawberry Point, he’s never lived elsewhere.


ROSS KENTFIELD, aka “ROCK” - 40 – Judge Throckmorton’s bailiff and chief chamber-mate. Very buff ex-Marine, NFL running back and certified notary public who also functions as his Honor’s driver, executor and fiduciary.  Happens to be African-American.


FRANCES DRAKE, aka “BEE” – 39 – Hispanic Public Radio talk show host and wannabe mama preparing to adopt Laotian child with her partner.  She needs to upsize their home for new baby and her partner’s political plans.


CALEDONIA BRIDGEWAY – 36 – Frances’ partner – internationally known jazz vocalist, Black-Lives-Matter activist and petitioner for institution of California Singing License.  Not yo’ mama’s sista!


VOICE OF SIRI and AIRPORT ANNOUNCER may be AUDIO tracks. 

silent BARTENDER may be used in the No Name scene(s).



* * *


copyright (c) 2021 by Jamie Jobb - all rights reserved

CAUTION: Nothing within these twin one-act plays may be replicated, for any reason, by any means, including any form of photographic reproduction, without expressed permission of the author.
These written works are subject to a royalty and are fully protected – in whole, in part or in any method of production – under the Copyright Laws of the United States of America and all other countries of the Copyright Union.

All rights – including professional, amateur, motion picture, radio, television, recitation and public reading – are strictly reserved by the author. All inquiries concerning performance should be addressed to him, contact details below.

First Edition: January, 2021
ISBN:
Library of Congress Catalog Number: 
Jobb, Jamie
“My Staged House” or “Broken Homemakers of Strawberry Point”
“My Psychic Spouse” or “Homeless House-Sitters of Sausalito”


Contact Details regarding performance rights:
Jamie Jobb
Traveling Light Studio
Post Office Box 12
Martinez Ca 94553-0001
jamiejobb@gmail.com
925 723-1782

Sunday, May 30, 2021

My Pulp Fraction


When the end of the world comes,
I want to be in Cincinnati because
it’s always 20 years behind the times.”

– Mark Twain


Richard March Hoe’s Six-Cylinder Printing Press, circa 1860

My Pulp

Fraction

by Jamie Jobb

A decade after World War II ended, I turned ten myself when we lived at 257 Main Street. That was two blocks from “Big Muddy”, the nickname everybody in town had for the Ohio River. Our town – Middleport – took its name from the historic fact that it was the mid-river port located halfway between Pittsburgh where the Ohio begins and Cincinnati where the Redlegs play ball. Right smack-dab in the middle of the Midwest, our town also was right smack-dab in the middle of nowhere. We knew, because we read about it in our Ohio history books.

Big sternwheelers – now major Mississippi River tourist attractions – still plowed past town. Those huge steam-powered vessels danced an odd rondo on the water as the incessant beat of their smokey pistons drove that ever-roiling churn of their big wheels chopping Big Muddy into well-regulated wakes from stern to shore. We’d rush down to the river to watch these majestic vessels stroll far beyond the outer limits of our small-town childhood fancy.

Every-day riverboats were the workhorse tugs which pushed barges full of coal; most men in our county, including my dad, were miners. Whenever the occasional “show boat” paddled past town, everybody knew it was a throwback to another time. Radio was well known then and television was a mere infant, so we still saw an occasional house of Vaudeville on the water. St. Louis writer Jeannette Cooperman recalls halcyon days before my birth, when her Big Muddy (The Mighty Mississippi) offered an evermore diverse variety of river-born commerce – the very Adventures of Huck Finn:

The river was not, in those years, a sullen and muddy conveyor belt for barges. There were circus boats stuffed with clowns and poodles; theater boats wailing over villainy; opera boats that sent heralds ashore to trumpet their performances. Minstrels did the Cakewalk and the Buzzard Lope and the Buck and Wing, told tall tales, sang spirituals, shook tambourines, mocked current events. All the persuaders were on the river: preachers and card-readers, lecturers on mesmerism and the significance of bumps on the skull.”

* * *

The Daily Sentinel building – 111 Court Street, Pomeroy Ohio

KA-BOOM! Another sudden wooded thump knocks upon our front porch; we hear it all throughout the house! The mailman cometh; and another newspaper from another city stumbles to the front door of 257 Main. Some of my friends collected baseball cards, postage stamps, rare coins, dolls; I collected American newspapers. I ordered them through the mail and kept them in my room, stacked one atop another. This ever-expanding Paper Collection quickly became my own self-guided tour of The United States. Me – a budding author stuck in a tiny town in the middle of nowhere – learning to write by rustling up America’s great newspapers and hoarding them into my room.

As we studied Ohio history in school, I became most interested in our state’s big dailies. Some were nationally famous, like The Cleveland Plain Dealer, The Cincinnati Enquirer, The Akron Beacon-Journal, The Toledo Blade. 

I delivered our six-page paper, The Daily Sentinel, all over town on my bicycle. Being so small, The Sentinel rolled neatly into a tight tube thinner than the neck of a hand-held condenser microphone. Sometimes I delivered The Athens Messenger when their carrier couldn’t do his Middleport route. Usually the same subscribers got both papers, so it was easy to cover for him. Our town was six blocks wide and 12 blocks long.  Can-a-corn!

Every other Saturday, I also had to “collect” for the papers. I’d get off my bike, knock on everybody’s door to gather their subscription money, which usually was spare change: lots of nickels and dimes. 

That’s when a nickel actually could buy something! 

My best friend Tom’s family ran Rall’s Ben Franklin, our “five-and-dime” store. We were too small a town to have an actual “department” store where things cost more than a dollar. That was upriver in Pomeroy where Elberfelds had their four-story building with the big sign you could read across the river. I kept my paper route money in envelopes marked for who paid what. After I covered my costs for the papers, I’d spend any remaining nickels and dimes on my Paper Collection.

At first my Collection started small, as I was mostly interested in Ohio papers. Our state capitol, Columbus, had The Evening Dispatch which was delivered to our town, as well as The Star and The Review which were not. I knew Cleveland also had The Daily Record, The Post and The Call – none of which we could find in Middleport, unless it came in the mail. And that was the same situation for Cincinnati which had The Enquirer and The Post. 

Every one of those daily papers was a whole lot thicker than The Sentinel’s six pages. Of course, they came from places that had a lot more news than Middleport.

Later I learned about other newspapers in our state: The Ashtabula Star-Beacon, The Chillicothe Gazette, The Gallipolis Daily Tribune, The Logan Daily News, The Marietta Times, The Dayton News Tribune, The Zanesville Times Recorder. None of them were delivered in Middleport, except through the post office.

Pretty soon my Paper Collection had jumped state lines. Of course, if only for our town’s namesake purposes, I needed to save copies of The Pittsburgh Post Gazette and The Pittsburgh Courier. But I also sent for other famous midwestern papers: The Chicago Tribune, The Sun Times, The American, The Bulletin, The Daily News, The Daily Star; The Detroit Free-Press, The Cadillac Evening News, The Battle Creek Journal, The Carbondale Free-Press, The Kansas City Star, The Omaha World-Herald, The Cedar Rapids Star, The St. Louis Post Dispatch!

From the midwest I looked east and sent for copies of The New York Times, The Herald, The Tribune, The Post. The Boston American Citizen, Evening Globe and Evening American. The Philadelphia Inquirer, Bulletin and Daily News. The Baltimore American, The Buffalo Evening News, The Washington Post, The Hartford Courant. 

Unlike Noah in the Bible, I collected only one of each critter. 

Every paper from every city seemed to smuggle another exotic smell into our house. I can’t recall any specific aroma, except for that ever-vague sensation of slightly damp and distant pulp, slowly deteriorating as the day’s news fades … More about that later. Just know, if you don’t, that the Ohio Valley at times can be a place of very high humidity with all the stifling aromatics associated with such dense climates.

My Collection was ever-growing. In the South, where the press had more graceful mastheads, I ordered The Memphis Commercial Appeal, The Bristol Virginia-Tennessean, The Louisville Courier-Journal, The Atlanta Constitution, The Asheville Citizen, The Charlotte Observer, The Baton Rouge American, The New Orleans Daily Call, The Birmingham Post-Herald, The Mobile Press-Register. 

Out West, I collected The Anchorage Daily Times, The Phoenix Arizona Sun, The Los Angeles Times, The San Francisco Chronicle, The Denver Post, The Houston Chronicle, The Dallas Morning News. Over the months leading into junior high school my Collection continued to expand. And although I collected Superman and Archie comic books just like everybody else, I knew I was the only kid for miles around with a growing heap of news-pulp lurking in his house.

* * *

Middleport’s Carnegie Library in Street View

I would never have been able to contact a single newspaper in America were it not for The Middleport Carnegie Library, conveniently located on Third Avenue around the corner from our house. It was one of those small-town American one-room libraries spawned by the vast philanthropy of Pittsburgh’s famous Carnegie family. 

Although I was not fond of Melvil Dewey’s Decimal System, I spent hours in our little library being particularly fond of Nancy Drew mystery stories (813.5209). Then one day there among the reference books, I stumbled across something that solved a huge mystery for me. It was a thick title that contained up-to-date listings of American newspapers – with actual street addresses printed right there for each paper. Where you could actually send somebody a letter!

My paper route was giving me spare change of my own to circulate, so I started writing letters to American newspapers: “Dear Circulation Department, I would like a copy of your newspaper. Here’s a dime for the paper and nickel for postage. Please mail it to 257 Main Street, Middleport Ohio. Thank you.”  I tried to make my signature look as friendly as I could. 

Each of these hand-written requests contained my return address printed large on the envelope and at the top of each letter, with a nickel and a dime taped right under my signature. So it wouldn’t rattle around in the envelope. These were correspondence tips Aunt Frank taught us. Back in the day when people sent real money in the mail and it would get to the intended destination without someone stealing it along the way. 

The Daily Sentinel itself eventually took note of my odd hobby. Chet Tannehill, who’d come back home from the war to edit his hometown paper, wrote about it in the About Town column. I’m sure Mom complained to somebody about my nasty habit; it’s a small town, so word got around. She called it “a fire trap”. I kept the papers in a pile on the floor of the closet in my room. The pile was getting to be as tall as I was … and it was beginning to force my clothes out of its way as it grew. Mom noticed this. And Chet found out. 

But Tannehill appreciated my budding interest in the press so he hired me to be The Sentinel’s stringer for Middleport High School basketball games he couldn’t attend. I’d cover those games, verify my statistics with the official scorekeeper and report back to Chet as soon as possible. Indeed, we had to work fast: The Sentinel was a daily paper! And in a town of two thousand five hundred people – not all of whom knew how to read – word spread quickly by word of mouth. Suddenly I had deadlines!

With its old flatbed press, The Daily Sentinel had no way to print color comics, so it had no Sunday paper. On Sunday Middleport got The Messenger from Athens or The Dispatch from Columbus. Both of them were big out-of-town papers with colorful comic strips bundled around them as they arrived before church on the Sabbath: such a mean tease full of devilish temptation for kids on their way to Sunday School!

Not long after I started writing for The Sentinel, I ranted to my friend Tom and my cousin Mick that Middleport deserved better local news coverage on The Day of Rest. I convinced them to join me in making our own newspaper for our town: The Sunday Times. Tom and Mick were the reporters and I was the editor. 

Of course it contained all the local news we knew for that day, handwritten out in neat columns and impressed upon carbon paper so we could “print” three copies of each edition. Then we stuffed our paper full of all the advertising and comics we could find, then handed it out to our parents and siblings – one copy for each house. I’m not sure people appreciated our weekly effort of informing our town in our best hand-writing. But my cousin Cindy, who still lives in Ohio, recently recalled: When you moved awayI was sad. We knew we weren’t gonna get that little newspaper … we weren’t gonna know the news in Middleport any more!” 

* * *

Rock 'em, Sock 'em Front-Page News!

After we left Ohio, I wrote for high school newspapers in Alabama and Florida. Then in Miami, I edited our junior college paper which won national honors. I was lucky to have outstanding journalism mentors with solid student staffs at all three schools. 

Ever-present at Birmingham’s West End High in her elegantly bobbed hair, Martha Trantham was faculty advisor of The Welion wherein she challenged us to write-and-rewrite so we’d get every word right. In Miami, Mable Meadows Staats led our Southwest High Lancer to national scholastic honors while requiring me to cover other athletes who weren’t necessarily members of my social circle. At Miami-Dade Junior College, our Falcon-Times adviser Barbara Garfunkel – “Miss G” – was a tiny focused woman with a huge personality and a nationally-renowned mentor of every famous newsman in town. 

Each journalism teacher demanded accuracy of her student staff. I learned to find authorities on the spot of a story, take lots of notes, spell everybody’s name right and keep plentiful lists. I still scribble in Reporters Notebooks, those long thin spiral writing pads that perfectly fit into the palm of a writer’s hand. And my propensity to think in terms of lists has been duly noted in more than one drama-writing workshop.

Meanwhile back at the ranch, I introduced myself to Newspaper Movies which showed up on late-night tv or in occasional theater reruns: “Front Page Story”, “Five-Star Final”, “His Girl Friday”, “Meet John Doe”, “Citizen Kane”. I was particularly impressed by Jack Webb as the gritty editor in “-30-” which is typographic code for “the end” of a newspaper story. Jack reminded me of Miss G.

As a young sports writer, I thrived on the smell of newsprint and the roar of the crowd. But I also foresaw that underneath all that ink, the yellow parchment – like stage-light – eventually fades. I moved to California, where writing led me into electronic and digital forms of mass communication. Thereafter I only appeared in newsprint as a contributor or infrequent correspondent. 

But old movies weren’t necessary for my recall of distant days on “The Desk and The Slot” – journalism jargon for the heart of the newsroom, where stories got edited and headlines got made. The Slot was a U-shaped desk with the desk editor seated at the center of the U with copy editors seated around the outer edges of The Desk. 

That way the desk editor could deal individually with each copy editor who read the text for accuracy, grammar, punctuation, spelling, etc. Then they wrote the headlines and tossed the head with the copy back at the editor in the slot, who reviewed it before marking up his page layout and sending the copy with headline downstairs to The Composing Room.

* * *

Ottmar Mergenthaler’s Linotype 

Marvin Reed, the man who offered me my first “backstage” job as a movie theater usher, also helped land my second “backstage” gig: working right out of high school in The Miami Herald composing room. I there stayed a little under a year, but that was long enough for me to learn how newspapers get made from the inside out. It was an incredible and thrifty processes to watch, all those people producing new issues of the paper everyday from scratch. 

After the headline and copy dropped down pneumatic tubes from the newsroom upstairs, the head went off with a compositor who set those lines into type by hand. Meanwhile the story went to a Linotype operator who worked a Mergenthaler line-casting machine to transform the copy into hot type. After briefly cooling, that type then went onto The Floor where compositors arranged it into neat columns and rows, all arising out of solid lead that had been molten mere moments ago. 

In this solid form every word was printed upside down and backwards, a mirror image of the text. Compositors were incredible craftsmen who could spot a typo or bad grammar by reading backward-cast words in their proper reverse order. I felt these guys were twice as eagle-eyed as any copy editor upstairs. 

During my brief time there, the composing room went through enormous change with the advent of automation and “cold type”, which started the long, slow industry-wide transition from letterpress to offset printing. Letterpress worked like rubber stamps; offset was “indirect” printing, with no upraised letters ever touching the paper. The Herald had invested in a huge mess of letterpresses but still had lots of room for expansion.

Frequent visits to The Herald’s press room exposed my ears to the tremendous roar of those mighty machines. The presses sat in long rows in a four-story cavern, a factory really, with huge rolls of paper unspooling underneath the ever-wheeling web of letterpress plates. Those long strands of pulp wove upward throughout the presses before getting elegantly folded and cut into an assembled parade of overlapping individual papers. 

Those fresh papers flew upward on conveyor belts – just like in the movies – to the top floor where they were counted, bundled and then dropped back down through the building on spiral chutes leading to a dock full of trucks waiting to deliver those bundles to scattered paperboys all across town. Kids like I used to be.

Years passed before I realized that as a teen I’d been exposed intimately to the inner workings of two major forces of American entertainment commerce: the movie studio and the daily newspaper. Both were industrial-strength institutions, meaning they conceived and produced their products (cans of movies and copies of newspapers) all within a single compound of focused workers knocking that product out the door every day. 

Over time, my hearing fell victim to the mighty roar of The Herald’s letterpresses. Now the building that housed them no longer stands there, that mighty press room leveled down to bare ground that’s now become prime-time waterfront real estate in Miami’s mad postmodern intercontinental luxury boomtown. 

* * *


Norris W. Alfred: 1913-1995

After leaving journalism, I still subscribed to our local paper – wherever I lived. But in 1980, I also signed-up for a weekly newspaper from a small midwestern town I’d never known, right smack dab in the middle of Nebraska. This odd periodical, The Polk Progress, had a strange motto on its masthead: “Slower is Better”.

That catchphrase started to make sense after I got to know the paper’s editor, Norris Alfred, who became a regular pen pal. This was long before email or internet communication. As an experienced pulp collector, I felt it my civic duty to support this esteemed small-town editor who was widely respected by America’s mainstream media. Indeed, Norris had just been nominated for a Pulitzer Prize! 

I knew nobody in Nebraska, but I knew to subscribe to The Progress based on local chatter from San Francisco journalists and broadcasters. I just wrote a letter as before, to start my subscription. 

When The Progress began arriving in the mail, it was clear why the paper attracted so much national attention. Norris Alfreds whimsied opinions were sparkled throughout his regular reports on the direct local effects of last week’s weather, his leisurely bird-watching “news”, his internationally astute editorials and especially in his catchall column"Polking Around".  

By persistence of vision and revision, with long hours by himself on the desk, linotype and letterpresshe kept his newspaper alive until 1989. 

Five years after his passing, The New York Times recalled how Norris got his start as a small-town editor: "I was saddled with debt, a precarious business in an unsubstantial building, and planned to publish a newspaper each week with a 1913 Linotype and an 1890 big cylinder Babcock press." 

But after many mechanical breakdowns, he was ready to call it quits when a farmer came in to town to renew his subscription. "I better pay for two years,” said the farmer. Then I won't have to come to town so often." Norris knew if a subscriber put that much faith in his paper, then he'd better keep publishing. But in 1971, nine years before I knew it existed, Norris Alfred was already recalling how his hometown had changed: 

"The average age of farmers has increased and so have their waistlines. This is probably also true of farm wives but due to The Progress’s polite-news-only policy we refrain from definitely asserting it as a fact. Chickens have disappeared from farmyards. Milk cows have followed the chickens. Barns are surplus and are needed only as a place for the farmer to go and lick his wounds after an argument with the wife. The building is also used as a shelter for motorcycles, Mustangs (the car, not the horse), the boat, pickup, camper, machinery parts. Occasionally the dog or cat wanders in and looks around. Even today's farm children don't know where milk comes from."

On March 22, 1980, I wrote Norris to express my initial impressions about his unique weekly: Unquestionably, The Progress is the most eagerly awaited publication that comes to our mailbox. Perhaps this is strange, for we’ve never visited Polk and have no relatives there. But somehow your newspaper … draws daily life on this planet into focus, while other media merely muddle the view.”

That letter to Alfred also included something I’d found in a Berkeley offset print shop – a little poster with a big message. Norris wrote back six days later to say he’d print it in his next edition and “It will be set in poster type and put on permanent display in The Polk Progress Printery.”  Sure enough, the statement appeared in the next issue in all caps.  It read: 


THIS IS 
A PRINTING OFFICE

CROSSROADS OF CIVILIZATION
REFUGE OF ALL THE ARTS
AGAINST THE RAVAGES OF TIME
ARMOURY OF FEARLESS TRUTH
AGAINST WHISPERING RUMOUR
INCESSANT TRUMPET OF TRADE

FROM THIS PLACE WORDS MAY FLY ABROAD
NOT TO PERISH ON WAVES OF SOUND
NOT TO VARY WITH THE WRITER’S HAND
BUT FIXED IN TIME HAVING BEEN VERIFIED IN TRUTH

FRIEND, YOU STAND ON SACRED GROUND
THIS IS A PRINTING OFFICE”


Long after Alfred had passed away, I learned that Beatrice L. Warde actually had penned the words on that poster in 1932 as a manifesto to show off the new Perpetua typeface. After graduates of Warde’s apprentice printers class committed her famous broadside to a plaque hanging at the entrance of The United States Government Printing Office, that fact eventually found me in the 21stCentury. But the news never reached the ears of Norris (Slower-Is-Better) Alfred, who passed away in 1995 and believed – as I did then – that those words were anonymous, an unbylined broadside from that Great Printery In The Sky. 

* * *

Newsstand at The Turn of 20th Century

Working late night shifts as a student intern at The Herald, I would often visit Frank’s Out-Of-Town Newspapers which was open all night just off Flagler at SW First Avenue in downtown Miami, around the corner from Mary Jane Shoes. It wasn’t located indoors, but along an exterior wall full of racks with a large awning overhanging the sidewalk to keep off the frequent rain. That 24-hour news-vendor had 25 various sports magazines, as well as 93 newspapers from 42 states. After work, I’d visit Frank’s newsstand and check out his Paper Collection. 

More than once as I stood there on the street and surveyed that wall full of current events from all across America, an odd thought from the Ohio Valley would sneak up and spank me like a paddlewheel.

Just think,” I thought, “All that trouble I went to as a kid. All those visits to the Middleport Library. All those letters to circulation departments. All those nickels,  All those dimes. It seemed to takeforever to build up my Paper Collection and now, ten years later I’m standing here on a street in Miami looking at a Paper Collection that would outgrow my Middleport closet in a day. Who has time to read all this news?”

For six and a half decades now I’ve been filing away my own news clippings and other printed periodical postings in separate files – another collecting habit I learned in those days before Google, when I discovered that newspapers have “morgues” – organized files of clippings from past pages, cataloging all sorts of local news. 

Some of my personal pulp non-fiction was kept in a brim-full bankers box. Seldom did I look inside that box, other than to add more paper or to retrieve an occasional memory. But preparation of this article forced me to dive back into the box again to double-check my notes and nail down a few forgotten details.

But as I retrieved the box and took off its lid, something didn’t smell quite right. I reached into the pile to pull out the papers AND the contents of the entire box – perfectly folded newspapers when they went in – now became a sudden puddle of pulp that crumbled through my fingers. Every page broken into tiny parts of parchment: now mere fractions of my faded newsprint memories. Obviously this is why digital copies are a writer’s best insurance for saving past work.

Thankfully, I’d already photocopied the most important clips under my byline so all was not lost. And my clippings from The Polk Progress were kept in a filing cabinet in a file, not loose in a box, so they’re still holding their shape. For a while … 

Meanwhile, YouTube continues to track my video preferences and recently suggested a promotional clip which was impossible to comprehend as it was so jam-full of yahoo jargon that it didn’t connect to anything a common person might ever want to know. 

Also, it didn’t help that the video gave itself no introduction whatsoever. It just jumped right into comparing machines, which all looked the same – like outsized video drones. 

Actually these strange robots were 21st Century printing presses – or rather as the industry now calls them: “Automatic Printers”. These digital devices can print on textiles, plastic, board or many other flat surfaces besides paper. These machines are meant to print the colorful fluff that can be posted on billboards and busses. Or bundled with some kid’s Sunday paper as wrap-around comics. Assuming any kids now read newspapers and want to produce one themselves … 

* * *

FURTHERMORE


https://www.stlmag.com/history/Mississippi-River-History/

https://en.wikipedia.org/wiki/Andrew_Carnegie

https://yorknewstimes.com/news/polk-progress-editor-norris-alfred-put-unique-spin-on-hometown-news/article_70326cbd-1655-5c62-a6ee-27678bfe24d5.html

https://ufdc.ufl.edu/UF00028291/02564/6j

https://en.wikipedia.org/wiki/Ottmar_Mergenthaler

https://ohio-river-sternwheel-festival.myshopify.com

https://designmanifestos.org/beatrice-warde-this-is-a-printing-office/

https://www.ucpress.edu/blog/35425/uc-press-at-125-years-this-is-a-printing-office/

https://en.wikipedia.org/wiki/Perpetua_(typeface)

http://brownmfg.net/p/103/electraprint-junior-automatic-textile-printer#

http://johnemcintyre.blogspot.com/2010/03/pulp-diction-complete-serial_5990.html