Sunday, April 5, 2020

An Audient Dreams ...


An Audient Dreams

of Gathering Crowds

by Jamie Jobb

As our shelter-in-place enters a fourth week, we learn almost daily that another
city council, church, civic association, social club, chorus, hobby hut … it seems almost any group that gathers, has joined with thespians, musicians and other performing artists in seeking virtual venues to meet their obligation to audience members forced to remain home by order of state and/or local officials.

The brief report that follows is from Jill Bourque, mentioned in “The Digital Box Office” previously on these pages. Jill’s on-line audience streaming service, RushTix, has compiled the list and offers it to anyone evaluating the best way to round up an audience on line.

RushTix is a San Francisco Bay Area discovery and production platform where artists can easily sell tickets, livestream shows and build their own virtual audience, all with the intent of helping performers generate revenue. We must admire Jill for her objectivity in these times of crowd crisis: her company is one of eight platforms listed, although they did not include an evaluation of the Japanese platform, Zaiko, previously mentioned on these pages.  Here’s the RushTix press release:


Livestream Platforms Reviewed
With live in-person events on hold, performers who rely on live in-person performances to earn a living are switching to livestreaming. Here are eight livestreaming platforms reviewed with performing artists in mind.
    Facebook Live is an easy and popular way to do livestream video. Difficult to schedule a livestream unless you use third party streaming platforms
    - Pro: Large Audience
    -
    Con: Hard to Monetize

    Instagram makes it nearly impossible to search for livestreams which makes sense as it’s the ultimate influencer platform so fans are more likely to catch things spontaneously on IG.
    - Pro: Livestream Right From Your Phone
    - Con: Hard to Get the Word Out to Your Followers

    RushTix offers an end-to-end livestreaming platform allowing the artist to monetize their show and build a community. Performers can sell tickets, livestream with real-time chat and tip-jar, and build a community.
    - Pro: Easy to Monetize & Build a Community
    - Con: Currently Focused on Bay Area Artists

    Stageit offers easy, livestream video, the ability to sell tickets and collect tips during shows in their own currency called "notes." The interface is a bit complex and out-dated but an enjoyable experience overall.
    - Pro: Caters to Musicians
    - Con: Outdated Interface

    Twitch, a haven for gamers, livestreaming on Twitch requires the user to gear up with streaming software like Open Broadcaster Software. This solution is favored by geeky comedians and improvisors.
    - Pro: Highly Engaged Gaming Community
    - Con: Limited in Other Forms of Content

    Vimeo Livestream like its parent company, Vimeo, seems to be focused on the more arty side of entertainment with eclectic musical offerings.
    - Pro: Good for High-End Corporate Events
    - Con: Requires Technical Expertise to Create Livestreams

    YouTube Live - Probably the easiest platform to do livestreaming, but lacks the community of its rival Facebook.
    - Pro: Easy to Livestream
    - Con: Hard to monetize

    Zoom has become indispensable for business and also some inventive improv and theater companies.
    - Pro: Easy to livestream multi-person shows and experiences
    - Con: Requires viewers to add Zoom app

5 April, 2020


Thursday, April 2, 2020

The Toilet Papers



Shelter-In-Place III:


My Rolled Yards

or

"The Toilet Papers”

by Jamie Jobb

Today was a good day, strategically speaking. Eighteen days into our “shelter-in-place”, I came home from my intermittent hunter-gather expedition with TWO packs of toilet paper! Granted, they’re very skimpy packets of only four rolls each. But they were two-ply! That beats the last six-roll pack of one-ply which a grocery clerk rescued from storage for me two weeks ago. Our situation became dire after our last Costco run which coincided with the first day of The Panic Runs, so to speak. The Big Box Store had flushed itself of paper towels too. So we’ve been running low on two of life’s essentials for over a month.

Actually I was quite lucky to get the two packets today as Safeway’s One-Per-Customer limit was still in effect. Fortunately for me it was just after 6 a.m. and few people were in the store. After ringing up the sale, the checkout woman whispered she wouldn’t notice if I left the store, came back in and got another roll to take to the only other checker working that morning. Sure enough, that worked and I got our second pack.

Another clerk they call “Junky” (it’s an Philippine thing) says he’ll save me another packet (or two) Friday morning. “Just be there again at 6 a.m.” he warns. I mark that on my calendar with a note to get to sleep early the night before. Oh, how quickly does The Post-Modern Hunter/Gather adapt to ever-changing conditions of our new wildling conurbation!

Most of us recall days not long past, when toilet paper and paper towels were not endangered species. Who knew a pandemic with more impact on lungs than guts would cause such a ridiculous run on the supply chain? Things are so dire that, according to The South China Morning Post, an armed trio of thugs stole 600 rolls in a Hong Kong panic-buyer heist in February outside a supermarket in Mong Kok. Two were arrested, their knife confiscated and their haul estimated to be worth US$220.

A few of us fondly may recall those far more distant days when there was more than enough toilet paper in the world for groups of teenagers to leisurely hang it from trees.

(pause)

I guess I should explain.

* * *

Most Americans of a certain generation – those who came of age between The Depression and Climate Change – have heard about somebody’s place getting “TP’d”. Meaning their humble abode (especially its landscape) was delicately draped in scores of streaming toilet paper banners hung high from above, as if by Zeus itself.

Actually the rolls were deftly tossed by human hands. Particularly gifted were those paper pitchers who could lob a streaming roll over, around and through 50-foot oaks, without wasting one sheet off the roll. I never did appreciate that term – “to TP” someone. It sounded too Native American to me. And there was a far better expression for the covert operation.

In Alabama we called it “rolling yards” – a more proactive term. Folks there still use the term. And, it was an activity that I engaged in willingly, with friends a dozen times as a sophomore and junior at Birmingham’s West End High School. When I moved to Miami we only rolled two yards (both in luxurious Coral Gables), and Florida kids did NOT call it “rolling”. Those sun-burned wimps!

Two of my Alabama rolling friends are deceased, so naming them now could not embarrass them. My two main cohorts were pals from West End’s football team: Bobby Atcheson, our starting fullback, and Roy Sims, a B-team quarterback. I was a linebacker. When we were lucky, Joe Price might run along with us to roll a yard.

A halfback, Joe went to our cross-town rival Ramsay High, but his brother was starting center at Auburn, aka “the loveliest village on the plains” (more on that later). So Joe was very cool with us. And he was a rolling expert: he had lots of ways to toss the rolls: overhand, underhand, hook shots. He had “the touch” we all envied. A Steph Curry, well ahead of his time.

If Joe couldn’t go rolling, Bobby usually drove and was our ring-leader, although I recall Sims and I were the go-to roll-gatherers. We’d collect our toilet paper one roll at a time. It wasn’t easy, this self-imposed One-Roll-Limit. In a fast-food place full of people, you couldn’t just pop in and out of the restroom because our mission would be obvious, and we’d blow our cover!

I should further explain: The unspoken, unwritten rules in Birmingham were quite clear to those of us obeying them. Rule Number One: You absolutely could NOT purchase toilet paper for these public displays of disaffection, which almost always involved boyfriend vs. girlfriend (and usually Bobby’s girlfriends). No, no, no! We had to spend most of the night running around town, from filling station to restaurant to any available public restroom, “borrowing” the stuff.

It was all sleight-of-hand and very seat-of-our-pants. We stuffed a roll into our crotch and waddled out with it. Our night progressed like this: one roll at a time. Thus all the time it took. Three hours allowed four guys to collect enough rolls for decent visual effect.

Of course, I’m now recalling this during the Great Covid-19 Toilet Paper Crisis. Today, on April Fools Day – with San Francisco’s annual St. Stupid’s Day parade cancelled – it’s now very difficult to imagine any such foolish activity. Nobody – not even fools – are hanging toilet paper in trees these days.

* * *

The greatest “rolling” effort I ever saw did not involve me directly, but my teenage son. I just woke up to find it. And it wasn’t in Alabama, it was in California in our town outside San Francisco. So of course, West Coast kids called it a TP job.

My son obviously had annoyed someone in his senior class, maybe a fellow baseball player. And it must have been a big deal: he wouldn’t talk about it, none of his friends would say anything either.

But we lived next to an incredible creekside canopy of Quercus lobata (California white oak or “valley oak”) in a forest of at least two dozen trees. Our house was not under the oaks, which sat between us and the road. But those trees loomed over our neighborhood.

Based on my own vast Alabama experience, I know it must have taken at least six kids and maybe 60 rolls to do that much coverage. Certainly these suburban students bought all those rolls. But they were very quiet and very effective in their work. My windows were open and I slept facing the trees, so any loud disturbance would have awakened me. I assume it must have been a mix of athletes and art students, given the perfect pitch and precise installation of their exhibit.

I first saw their work on my way out to get the morning paper. I crossed the creek and looked up to see a gentle breeze slowly sway hundreds of 80-foot long strands of plush two-ply. I was struck by the sheer beauty of it all!

And it looked incredible from the street. When I came back into the house, my son was eating breakfast. I said “There’s a surprise for you in the oaks outside. Take some bags with you, so you can clean it up.”

Funny, I thought in that moment, not once in Alabama did we ever consider the parents of the girlfriends’ yards we had rolled. And, given the time and the residue of Southern Hospitality, we actually knew those parents!

* * *


Auburn’s notorious Toomer's Corner oaks – basking in their former glory! 

The State of Alabama hosted perhaps the most notorious Rolled Trees of all time, those known as “Toomer’s Oaks” which grew at the entrance of the Auburn University campus across the street from Toomer’s Drugs. After major football wins by the Auburn Tigers, fans would “roll The Oaks”. The hundred-year-old Auburn trees needed no introduction in The Deep South. Tales of Toomer’s Oaks were legend across Dixie, or at least in the Southeastern Conference.

But things got ugly in 2011 when those oaks suddenly upped and died, as they say down South. It turns out, a transplanted Alabama fan, Harvey Almorn Updyke, Jr., pled guilty to poisoning the famous oaks shortly after Auburn miraculously beat ‘Bama, 28-27, in the 2010 Iron Bowl, when the Crimson Tide blew a 24-point lead.

Updyke spent 70 days in Lee County jail and was ordered to pay a $800,000 fine. That figure was well beyond his means, so the court ordered him to pay $500 a month. But Harvey payed less than $5,000 in six years, so the Court ordered him back before the bench to explain why he did the deed yet refused the fine.

But Updyke had already explained why, on the radio. Right after the incident happened. Updyke called Paul Finebaum’s talk show to confess. It was quite a stunning admission of guilt by a guy who did not grow up in The Cotton State, where he came to learn the new term for what he’d known as a Longhorn to be simply: “TP’d”. Here’s what he said on the radio:

“When Bear Bryant died, I was livin’ in Texas. And I didn’t really understand the Alabama-Auburn rivalry. But a good friend of mine that lived in Birmingham sent me a copy of the newspaper showing the Auburn students rolling Toomer's Corner celebratin’ Bryant’s death … Let me tell you what I did: The weekend after the Iron Bowl I went to Auburn, Alabama cause I live 30 miles away, and I poisoned the two Toomer’s trees … I put Spike 80DF in ‘em.”

Of course, Updyke undid himself in that call-in confession which was traced to his phone. But the story of Toomer's trees did not end with Updyke’s tale of woe. Auburn’s arborist attempted to save the poisoned trees, but was unsuccessful. So The Corner was redone, tainted soil removed and two fully-grown Southern Live Oaks planted where the old trees grew.

Students and fans were admonished not to roll the new trees until they acclimated.  But in 2016 the trees had to be replaced a second time after an intoxicated German Jochen Wiest set one of them on fire after Auburn’s controversial last-second 18-13 win over LSU. Neither tree grew well after that vandalism, so the University again replanted in February 2017 with new trees.


Toomer’s trees after an Alabama fan poisoned them in 2011

The Moral of These Stories

Given that Alabama governor Kay Ivey has yet to issue a full statewide stay-at-home order, Toomer’s trees are not yet out-of-the-woods, so to speak. But at least, we’re all old enough now to know what we didn’t know then:

Toilet paper does not grow on trees!


1 April 2020
(last of three parts)

Friday, March 27, 2020

The Digital Box Office



[This report contains hiding links, click them for deeper background.]

"Shelter-In-Place”

at the

Digital Box Office

by Jamie Jobb

In early March 2020, these pages reviewed a terrific memoir titled “Ghost Light” – a term used when an audience exits and the theater goes dark. That particular light is the normal nocturnal feature of an empty house. But within two weeks, stages from the East Bay to the West End, from Broadway to Berlin, had all gone dark all day. Nobody hosts any audience these days while the urban world shelters-in-place to avoid COVID-19.

So ghost lights remain lit on stage “until further notice”. Quickly a global viral madness forced performers and production companies large and small to re-evaluate their distribution methods. With their box offices closed, how could theaters sell any tickets? Who could sit in any seats under this novel form of “house arrest”? Arenas, stadiums, music halls, night clubs, pubs and other “non-essential” interior spaces also faced the same existential dilemma. Human contact was deemed verboten for any immediate vicinity. All tickets suddenly became “deadwood”. People had to stay home or risk contacting The New Plague.

The shuttering of public entertainments also took a sudden toll on all sorts of gig workers, particularly those here in California who were facing enough turmoil in their lives over the unintended vagaries of California’s AB 5. That 2019 law upset the common understanding of how “free-lance work” gets compensated/accounted/taxed.

Suddenly gig workers of all stripes were unemployed – busboys, bartenders, waiters, ushers, musicians, dishwashers, retail clerks ... all sorts of performers, crews, athletes – all standing by, idling in situ. High-salaried MLB, NBA, NFL players and famous guys like Jimmy Kimmel (bless his heart) can afford to stay home during such a crisis. But unendowed small-time performers live by the tip jar, if not door receipts. Now what?

Part-time workers immediately had to isolate their “meat” from their “gravy”, cut back to essentials. But for how long? Two weeks to 18 months??? What if you’re poorer than sin? Could anybody pay rent? How would you keep your spirits up while hunkered down at home, if you were lucky enough to have a home? And, of course, where would you find toilet paper?

* * *


“Dark” Berlin Opera House: deep upstage point-of-view facing empty orange seats
(from Google Street View)

But everybody’s newfangled public detention forced creative people everywhere to get evermore creative as we adjust to our virtual ankle-bracelets. Who knew the dire straits of soft “martial law” could marshal in new ways of finding and tapping an audience? Although at least 28 national touring companies, The Tony Awards, Lincoln Center, Radio City Music Hall, New York City Ballet and The Championships at Wimbledon all shut down, others refused to quit.

The Berlin Philharmonic, Vienna State Opera, The Metropolitan Opera, The National Theatre of London, Royal Court, Berkeley Rep, Left Edge Studio Theater, San Francisco Jazz Center, National Museum of Natural History and others announced “streaming” performances or virtual tours that could be seen by an “audience” seated home alone. Simply sign up on line, or on your phone!


Could these on-line options herald a Renaissance of crowd-sourced innovation – the new Digital Box Office, selling electronic tickets to a venue of unlimited seats – with opportunities to tip the performers as well? Yes, that does indeed seem to be the shifting situation.

At States our local coffee shop, barista Sam Gonzalez points out the obvious advantage for an audient listening at home on line. “You save a lot of money NOT GOING to the show – on transportation, parking, dinner, drinks, merch. I usually end up spending a hundred dollars after I get tickets. Some of that can go right into the tip jar.”

Buy a Ticket & Tip the Band!

My son Sach lives in Tokyo and is cofounder of iFlyer, Asia’s go-to resource for club, concert and music festival news. Recently he sent notes about a revolution sweeping show business in Japan. Most of what he sent involved a new company, Zaiko.io.

ZAIKO offers what it calls “paid electronic ticket system live distribution” which allows event organizers to easily set up paying gigs on line. The payment for Zaiko is built-in with a number of options – credit cards, PayPal, WeChat, Alipay, etc.  It also accommodates a wide range of currencies and languages. The producer determines:
* the money-change system,
* the archive period – show start and end dates,
* presence or absence of comments and other social media participation.

Sach reported that the independent Japanese pop band Cero – an inventive trio not widely known for odd tunes like “Poly Life Multi Soul” – created a big stir when their March 13 "Contemporary http Cruise" concert refused to “sell out” after only two days notice! The band had expected to sell 400 tickets for the one-hour streaming event. Final tally was over ten times the expected turnout.

In other words, when no fire marshall restricts the number of people entering the virtual house, the box office doesn’t know when to cut off sales! And the concert was set up so attendees could add to the band’s good fortune through an electronic “tip jar” in increments of 500 yen ($4.5 US dollars).

Kakubarismaku Kakubari was so impressed with how well the concert turned out, he posted this comment: “If venues such as live houses and theaters nationwide that are currently being canceled can make good use of these [electronic tickets], couldn't we follow everyone who works hard on the spot? Also, even if this situation has calmed down, if you sell additional distribution tickets to sold-out performances, the capacity will expand indefinitely, [to include] people who have difficulty [getting in] or who can not go to live [concerts] with children.” Indeed!

Zaiko intends to expand the interactive nature of its digital ticket-and-tip system soon, embedding live-chat and other real-time social features into the experience. These plans are based on anticipated boosts to interactive communication speeds with this year’s introduction of fifth-generation wireless format, aka “G5”.

Of course, these initiatives are not unique to Japan. It appears Zaiko is borrowing heavily from Stageit, the original virtual venue which as been around for over two decades. For a decade, talented bands like New Orleans’ Tuba Skinny have made a living off tips from their busking French Quarter streets and their ubiquitous YouTube presence. With no middle management, the band operates like Walk Off The Earth, Randy Rainbow, or others working YouTube audiences as “monetizers” (a sort of salary and tips combined).

* * *

The Marsh Mainstage, San Francisco, dark until further notice

* * *

Performers Learn to Zoom and RushTix

Here in the San Francisco region, it appears that Zoom is becoming the platform of choice for musicians, teachers, theater companies and others to organize on-line sales and monetized chats. Some musicians and art instructors are learning how to conduct paid classes on line, similar to the Master Classes offered by famous folks like David Mamet or Neil DeGrasse Tyson. And some of these efforts are moving beyond Zoom!

Celik Kayalar, charismatic founder of Film Acting Bay Area (FABA) in Emeryville reports his brick-and-mortar school now offers one-on-one Skype class sessions on line for actors enrolled in his program. A local beneficent improvisation company, Improv for Good, is also exploring on-line interactive classes and performances, according to toastmaster Randy Wight, an integral member of the group. Professionally-connected broadcaster Brian Copeland, well known for his evocative solo performances at the Marsh and elsewhere, is now exploring the podcast format for his shows.

Then there’s this news from angelic San Francisco comedian Jill Bourque whom I met in a Dan Hoyle workshop at the Marsh. She arrived to class late, held up by an over-long meeting downtown. Jill, an energetic focus-pulling redhead, rushed into the rehearsal room with such energy that she immediately floored us with her impression of what she’d just witnessed downtown. She immaculately mimicked four people at each others throats in the meeting she’d just left! Dan, a master of journalistic theater, and the other classmates were beyond impressed by her stand-up chops. But that’s not what makes Jill special to independent Bay Area performers.

For the last five years, Jill has been developing RushTix, her event-membership live streaming service. Sheltered-at-home with the rest of us, she’s now actively promoting “watch parties” with live chat and donation options, just like Zaiko.io.

Jill expects to announce big news next week with the launch of Rushtix Livestream. Their first offering is Heklina’s Happy Hour live from Palm Springs with cocktails and chat. The ticket is sliding scale. And we can see from Heklina’s photo that the cat appreciates tips. No need to wait, however. Anyone can sign up to RushTix right now and choose among seventy performances all over the world that the platform currently offers.

“We’ve created the largest and most comprehensive listing of livestream shows from around the world,” Jill said. Now she’s creating a new platform to produce original content with artists. “We help artists livestream and figure out how to adapt the medium to their particular style – all with a mind toward revenue generation. We’re combining a virtual venue and a social community to create an engaging and immersive experience.”

In other words, she’s performed before tough crowds as a stand-up; now she’s helping her performing friends learn how to support themselves in tough times. That makes her a Local Hero in my book!


Thirty Thinkers Peek Forward

The prospect of staying sequestered at home for months has already reoriented everyone's relationship to government, the economy, health care – indeed, even our physical relationship to each other, and the very nature of “performance”. Politico interviewed several authorities in various disciplines to anticipate what might become unfamiliar or unsettling in the coming months. They attempted to address hard questions like: Will borders stay closed? Will touch become taboo? What will happen to restaurants?

Of course, crisis moments also present opportunity. The quoted experts anticipate more sophisticated and flexible use of technology, less popular polarization, a revived appreciation for the outdoors and life’s simple pleasures. No one is certain what will come, but Politico’s guide examines the unknown ways that society will change. Find the full report here.

27 March 2020
(second of three parts)